Contents Theme: Canadian Film
' Canadian Films and More [editor's note], ' unsigned, page 1.
# ' Canadian Cinema in the Age of Globalization, ' David L. Pike, pages 2 - 10.
# ' STET, ' Mike Cartmell, pages 11 - 15.
# ' Toward the Quebec Auteur: From Perault to Arcand, ' Georege Melnyk, pages 16 - 29.
# ' The Party's Over: Rollercoaster, ' Robin Wood, pages 30 - 34.
# ' 'In the Sun It All Looks Nice': A Note on Paul Almond's Isabel, ' Tony French, pages 35 - 41.
# ' Persistence of Vision: The Wonderful World of John Paizs, ' Robert L. Cagle, pages 42 - 49.
# ' The New Face of British Heritage, ' Deborah Tudor, pages 50 - 57.
# ' Distance: Hirokazu Kore-eda, ' Susan Morrison, pages 58 - 59.
# ' The Intimate Screen: Dogme and Beyond, ' Diane Sippl, pages 60 - 68.
# ' Book Review: Cinema's Recounting of the Ordinary [Andrew Kleven's 0Disclosure of the Everyday], ' Jeffrey Crouse, pages 69 - 71.

Contents Theme: World Cinema Since 1990
' Editorial [editor's note], ' Robin Wood, page 1.
# ' Party Time, or Can't Hardly Wait for that American Pie: Hollywood High School Movies of the 90s, ' Robin Wood, pages 2 - 10.
# ' Time and Point of View in Contemporary Cinema, ' Temenuga Trifonova, pages 11 - 31.
# ' Are You With Me? Unemployed Negativity in Mike Leigh's Naked, ' Garry Watson, pages 32 - 45.
# ' The Import / Export Business: The Road to Abbas Kirostami's Taste of Cherry, ' Devin Orgeron, pages 46 - 51.
# ' The Most Dangerous Game: Failed Male Friendship in Brian De Palma's Snake Eyes, ' author, pages 52 - 57.
# ' Floating Desire, Floating Souls: Modern Cultural Landscape in Tsai Ming-Liang's Taipei Trilogy, ' I-Fen Wu, pages 58 - 64.
# ' Chop Suey: Photographs to Remember You By, ' Richard Lippe, pages 65 - 67.
# ' Beautiful People: In Praise of the Liberal State, ' Robert Lightning, pages 68 - 72.
# Letter from Keith Withall [on Kippur], page 72.
# Response by Florence Jocobowitz, page 72.

Contents Theme: Max Ophus Centenary
' Max Ophus Centenary [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2.
# ' In Memory: Billy Wilder, Jack Lemmon, ' author, page 3.
# ' Circles of Delight and Despair: The Cinema of max Ophuls, ' Peter Harcourt, pages 4 - 13.
# ' Plunging Off the Deep End into the Reckless Moment, ' Robin Wood, pages 14 - 19.
# ' Falling Women and Fallible Narrators, ' Douglas Pye, pages 20 - 29.
# ' Werther (Max Ophuls, 1938), ' Michael Walker, pages 30 - 39.
# ' Yoshiwara: Max Ophuls in the Empire of Passion, ' Alexander Jacoby, pages 40 - 44.
# ' Captivated by Garbo: Max Ophuls's Roman Interlude with The Duchess of Langeais, ' Lutz Bacher, pages 45 - 53.
# ' 'Do I Disgust You?': Or, Tirez pas sur La Pianiste, ' Robin Wood, pages 54 - 61.
# ' Icons and Subversion in the Westerns of Clint Eastwood, ' Peter E. S. Babiak, pages 62 - 68.
# ' Book Review: Fred and Ginger: A Vision of Emersonian Hollywood? [review of Astaire and Rogers by Edward Gallafent], ' Jeffrey Crouse, pages 69 - 70.
# Letter from Michael McKegney [on teen films], pages 71.
# Response by Robin Wood, page 71.

Contents Theme: New Canadian Cinema
' New Canadian Cinema [editor's note], ' Scott Forsyth, page 1.
# ' Wotcha Lookin' at, Anyway? An Examination of Point-of -View in Denys Arcand's Stardom, ' Peter Harcourt, pages 2 - 9.
# ' Quebec's Next Generation: From Lauzon to Turpin, ' George Melnyk, pages 10 - 17.
# ' Blood in the Maple Syrup: Canon, Popular Culture, and the Canuxploitation of Julian Roffman, ' Aaron Taylor, pages 18 - 28.
# ' Charting the Course of the Pacific New Wave, ' Diane Burgess, pages 29 - 33.
# ' Interview with R. Bruce Elder, ' Aysegul Koc, pages 34 - 39.
# ' Beyond the Homeland: A Comparative Introduction to Latino Film in Canada and the US, ' Elena Feder, pages 40 - 51.
# ' Seeing and Being Seen in Media Culture: Shelley Niro's Honey Moccasin, ' Darrell Varga, pages 52 - 57.
# ' Border Crossings: Representations of North American Culture in Bruce McDonald's Highway 61, ' Rochelle Simmons, pages 58 - 61.

Toronto Film Festival Reviews 2002
# ' The Consequences of Seduction: Adolph, ' Florence Jacobowitz and Richard Lippe, pages 62 - 64.
# ' The Intended, ' Robin Wood, pages 64 - 65.
# ' Unknown Pleasures, ', Shelly Kraicer, pages 65 - 66.
# ' Making and Remaking Class in Ken Loach's Recent Films, ' Scott Forsyth, pages 66 - 67.
# ' Fruit Chan's 'Excremental Vision': Public Toilet, ' Susan Morrison, pages 67 - 68.

International Film Festival Mannheim-Heidelberg
# ' When Fiction Turns Real: Suspending Disbelief, ' Diane Sippl, pages 68 - 70.
# ' Book Review: Alan King, Filmmaker, ' Janice Kaye, pages 71.

Contents Theme: Close Readings
' Questions of Value [editor's note], ' Robin Wood, page 1.
# ' Unanswered Questions: Vision and Experience in Terrence Malick's The Thin Red Line, ' Jacob Leigh, pages 2 - 14.
# ' The Purpose of Plot and the Place of Joan Bennett in Fritz Lang's The Woman in the Window, ' Andrew Kleven, pages 15 - 21.
# ' The Age of Innocence: Martin Scorsese, 1993, ' Deborah Thomas, pages 22 - 33.
# ' Love Hurts: Redemption within the Bowels of Seil contre tous and the Cinema of Aggression, ' Dion Tubrett, pages 34 - 40.
# ' In Search of the Code inconnu, ' Robin Wood, pages 41 - 49.
# ' Apocalypse Then: Lessons of Darkness Revisited, ' Adam Bingham, pages 50 - 53.
# ' Vive le Cinema: A Reading of What Time is it There?, ' Aysegul Koc, pages 54 - 57.
# ' ... Simply Because You're Near Me: Love, Chungking Expresss and In the Mood for Love, ' Blair Miller, pages 58 - 66.
# ' Music and Modernity in A Brighter Summer Day, ' Saul Austerlitz, pages 67 - 70.
# Letter from Alexander Jacoby [on Catherine Russell's article on Ozu], page 72.
# Response from Robin Wood, page 72.

Contents Theme: Minnelli and Ozu Centenary
' [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2.
# ' In Memoriam: Hepburn, Peck, Hepburn, ' unsigned, page 3.
# ' Being a Clown: Curious Coupling in The Pirate, ' Douglas Pye, pages 4 - 13.
# ' The Cobweb, ' Stella Bruzzi, pages 14 - 21.
# ' Home from the Hill: Vincente Minnelli, 1959, ' Michael Walker, pages 22 - 34.
# ' Love and the City: An Analysis of Vincente Minnelli's The Clock, ' Stuart Hands, pages 35 - 37.
# ' The far Side of Paradise; The Style and Substance of Yolanda and the Thief, ' Alexander Jacoby, pages 38 - 44.
# ' The Spaces In-Between: The Cinema of Yasujiro Ozu, ' Adam Bingham, pages 45 - 56.
# ' Notes Toward a Reading of Tokyo Twilight [Tokyo boshoku], ' Robin Wood, pages 57 - 58.

Toronto Film Festival Reviews 2003
# ' Los Angeles Plays Itself, ' Richard Lippe, pages 59 - 61.
# ' Notes on the Toronto Film Festival, ' Robin Wood, pages 62 - 65.
# ' Amos Gitai's Alila, ' Florence Jacobowitz, pages 65 - 67.
# ' Drifters: Smoking and Moping on the Mainland, ' Susan Morrison, pages 67 - 68.
# ' Tabio's So Far Away, ' Scott Forsyth, pages 69 - 70.
# ' The Brown Bunny, ' Dion Tubrett, pages 70 - 71.
# Letter from Catherine Russell [see previous issue's letter section], page 72.
# Letter from Jacob Leigh [correcting errors in his Malick essay], page 72.

Contents Theme: New Directions?
' New Directions? [editor's note], ' Susan Morrison, page 1.
# ' Where Globalization and Localization Meet: Spike Lee's The 25th Hour, ' Patricia O'Neill, pages 2 - 9.
# ' The Politics of Hiccups: National Cinema with National Language, ' Aniko Imre, pages 8 - 17.
# ' Two Stories, One Right, One Wrong: Narrative, National Identity and Globalization in Sliding Doors, ' David Martin-Jones, pages 18 - 27.
# ' The Passion of Global Hollywood: ivansxtc, ' Lisa Kernan, pages 28 - 36.
# ' Korean Cinema Now: Balancing Creativity and Commerce in an Emergent National Industry, ' Peter Harry Rist, pages 37 - 45.
# ' Striking Home: Trends and Changes in Vietnamese Cinema, ' Kim Worthy, pages 46 - 53.
# ' Takashi Miike's Cinema of Outrage, ' Tony Williams, pages 54 - 62.
# ' Indigenous Feature Films: A New Hope for National Cinemas?, ' Jenifer L. Gauthier, pages 63 - 71.
# Letter from representatives of the Film Studies Association of Canada [on the attacks on Catherine Russell's essay on Ozu], page 72.
# Editorial note from Scott Forsyth [on the letter exchanges concerning Catherine Russell's article on Ozu], page 72.
# Response from Robin Wood [to Russell's letter in issue No. 63], page 72.

Contents Theme: Sex, Terror, Madness, Canada
' Sex, Terror, Madness, Canada [editor's note], ' Scott Forsyth, page 1.
# ' In the Web of David Cronenberg: Spider and the New Auteurism, ' Reni Celeste, pages 2 - 5.
# ' Thoroughly Modern Maddin, ' David Pike, pages 6 - 18.
# ' Canadian Social Documentary in the Age of Michael Moore: The Corporation and The Fix, ' Seth Feldman, pages 17 - 19.
# ' Gay Guerrilla Filmmaking and Terrorist Chic: Toronto Filmmaker Bruce LaBruce Discusses His Latest Art/Porn Feature, The Raspberry Reich, ' Matthew Hays, pages 20 - 24.
# ' Caress, The Decay: Queer Desire in he Nature of Nicholas , ' Andrew Lesk, pages 25 - 29.
# ' The Local and the Global Revisited: Un 32 A?ut sur terre, ' Darrell Varga, pages 30 - 36.
# ' You Watch To Much TV, Kid: Causalities of Cultural Colonialism, ' Robert L. Cagle, pages 37 - 43.
# ' Tedium and Torture: Fight Club, Globalization, and Professionals in Crisis, ' John McCullough, pages 44 - 53.
# ' Allegorical Figurations and the Political Didactic in Bulworth, ' Reagan Ross, pages 54 - 63.

Toronto International Film Festival
# ' Bridges: Notre Musique ' Peter Harcourt, pages 63 - 64.
# ' Hou Hsiao-Hsien's Cafe Lumiere ' Florence Jacobowitz, pages 65 - 66.
# ' The Ninth Day and Downfall ' Susan Morrison, pages 66 - 67.
# ' Living and Looking at Life: Bruce Webber Interviewed ' Richard Lippe, pages 67 - 70.
# ' The Toronto Film Festival: Random Thoughts ' Robin Wood, pages 71 - 72.