Contents LONG FORM DRAMA

The International Language of Espionage:

Melodrama, The Americans, and the Global Television Imaginary – by Meredith Slifkin

Mad Men, the Historical Novel, and Social Change – by William Bartley

Long Form Televisual Narrative and Operatic Structure in Bryan Fuller’s Hannibal – by Maria Ionita

Rehabilitating Imperial Glory: Or Rome Finishes What Gladiator Started – by Malcolm Morton

Working Toward a Television Canon – by Thomas A. Foster

Are Sitcoms the Future of West African Cinema? – by Boukary Sawadogo

Read It Today, See It Tonight: Extratextuality and the Silent Film