Issue 57
March
Contents
Theme: Canadian Film
' Canadian Films and More [editor's note], ' unsigned, page 1.
# ' Canadian Cinema in the Age of Globalization, ' David L. Pike, pages 2 - 10.
# ' STET, ' Mike Cartmell, pages 11 - 15.
# ' Toward the Quebec Auteur: From Perault to Arcand, ' Georege Melnyk, pages 16 - 29.
# ' The Party's Over: Rollercoaster, ' Robin Wood, pages 30 - 34.
# ' 'In the Sun It All Looks Nice': A Note on Paul Almond's Isabel, ' Tony French, pages 35 - 41.
# ' Persistence of Vision: The Wonderful World of John Paizs, ' Robert L. Cagle, pages 42 - 49.
# ' The New Face of British Heritage, ' Deborah Tudor, pages 50 - 57.
# ' Distance: Hirokazu Kore-eda, ' Susan Morrison, pages 58 - 59.
# ' The Intimate Screen: Dogme and Beyond, ' Diane Sippl, pages 60 - 68.
# ' Book Review: Cinema's Recounting of the Ordinary [Andrew Kleven's 0Disclosure of the Everyday], ' Jeffrey Crouse, pages 69 - 71.
Theme: Canadian Film ' Canadian Films and More [editor's note], ' unsigned, page 1. # ' Canadian Cinema in the Age of Globalization, ' David L. Pike, pages 2 -...
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Issue 58
June
Contents
Theme: World Cinema Since 1990
' Editorial [editor's note], ' Robin Wood, page 1.
# ' Party Time, or Can't Hardly Wait for that American Pie: Hollywood High School Movies of the 90s, ' Robin Wood, pages 2 - 10.
# ' Time and Point of View in Contemporary Cinema, ' Temenuga Trifonova, pages 11 - 31.
# ' Are You With Me? Unemployed Negativity in Mike Leigh's Naked, ' Garry Watson, pages 32 - 45.
# ' The Import / Export Business: The Road to Abbas Kirostami's Taste of Cherry, ' Devin Orgeron, pages 46 - 51.
# ' The Most Dangerous Game: Failed Male Friendship in Brian De Palma's Snake Eyes, ' author, pages 52 - 57.
# ' Floating Desire, Floating Souls: Modern Cultural Landscape in Tsai Ming-Liang's Taipei Trilogy, ' I-Fen Wu, pages 58 - 64.
# ' Chop Suey: Photographs to Remember You By, ' Richard Lippe, pages 65 - 67.
# ' Beautiful People: In Praise of the Liberal State, ' Robert Lightning, pages 68 - 72.
# Letter from Keith Withall [on Kippur], page 72.
# Response by Florence Jocobowitz, page 72.
Theme: World Cinema Since 1990 ' Editorial [editor's note], ' Robin Wood, page 1. # ' Party Time, or Can't Hardly Wait for that American Pie: Hollywood High School Movies...
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Issue 59
September
Contents
Theme: Max Ophus Centenary
' Max Ophus Centenary [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2.
# ' In Memory: Billy Wilder, Jack Lemmon, ' author, page 3.
# ' Circles of Delight and Despair: The Cinema of max Ophuls, ' Peter Harcourt, pages 4 - 13.
# ' Plunging Off the Deep End into the Reckless Moment, ' Robin Wood, pages 14 - 19.
# ' Falling Women and Fallible Narrators, ' Douglas Pye, pages 20 - 29.
# ' Werther (Max Ophuls, 1938), ' Michael Walker, pages 30 - 39.
# ' Yoshiwara: Max Ophuls in the Empire of Passion, ' Alexander Jacoby, pages 40 - 44.
# ' Captivated by Garbo: Max Ophuls's Roman Interlude with The Duchess of Langeais, ' Lutz Bacher, pages 45 - 53.
# ' 'Do I Disgust You?': Or, Tirez pas sur La Pianiste, ' Robin Wood, pages 54 - 61.
# ' Icons and Subversion in the Westerns of Clint Eastwood, ' Peter E. S. Babiak, pages 62 - 68.
# ' Book Review: Fred and Ginger: A Vision of Emersonian Hollywood? [review of Astaire and Rogers by Edward Gallafent], ' Jeffrey Crouse, pages 69 - 70.
# Letter from Michael McKegney [on teen films], pages 71.
# Response by Robin Wood, page 71.
Theme: Max Ophus Centenary ' Max Ophus Centenary [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2. # ' In Memory: Billy Wilder, Jack Lemmon, ' author,...
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