Issue 61
February
Contents
Theme: New Canadian Cinema
' New Canadian Cinema [editor's note], ' Scott Forsyth, page 1.
# ' Wotcha Lookin' at, Anyway? An Examination of Point-of -View in Denys Arcand's Stardom, ' Peter Harcourt, pages 2 - 9.
# ' Quebec's Next Generation: From Lauzon to Turpin, ' George Melnyk, pages 10 - 17.
# ' Blood in the Maple Syrup: Canon, Popular Culture, and the Canuxploitation of Julian Roffman, ' Aaron Taylor, pages 18 - 28.
# ' Charting the Course of the Pacific New Wave, ' Diane Burgess, pages 29 - 33.
# ' Interview with R. Bruce Elder, ' Aysegul Koc, pages 34 - 39.
# ' Beyond the Homeland: A Comparative Introduction to Latino Film in Canada and the US, ' Elena Feder, pages 40 - 51.
# ' Seeing and Being Seen in Media Culture: Shelley Niro's Honey Moccasin, ' Darrell Varga, pages 52 - 57.
# ' Border Crossings: Representations of North American Culture in Bruce McDonald's Highway 61, ' Rochelle Simmons, pages 58 - 61.
Toronto Film Festival Reviews 2002
# ' The Consequences of Seduction: Adolph, ' Florence Jacobowitz and Richard Lippe, pages 62 - 64.
# ' The Intended, ' Robin Wood, pages 64 - 65.
# ' Unknown Pleasures, ', Shelly Kraicer, pages 65 - 66.
# ' Making and Remaking Class in Ken Loach's Recent Films, ' Scott Forsyth, pages 66 - 67.
# ' Fruit Chan's 'Excremental Vision': Public Toilet, ' Susan Morrison, pages 67 - 68.
International Film Festival Mannheim-Heidelberg
# ' When Fiction Turns Real: Suspending Disbelief, ' Diane Sippl, pages 68 - 70.
# ' Book Review: Alan King, Filmmaker, ' Janice Kaye, pages 71.
Theme: New Canadian Cinema ' New Canadian Cinema [editor's note], ' Scott Forsyth, page 1. # ' Wotcha Lookin' at, Anyway? An Examination of Point-of -View in Denys Arcand's Stardom,...
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Issue 62
October
Contents
Theme: Close Readings
' Questions of Value [editor's note], ' Robin Wood, page 1.
# ' Unanswered Questions: Vision and Experience in Terrence Malick's The Thin Red Line, ' Jacob Leigh, pages 2 - 14.
# ' The Purpose of Plot and the Place of Joan Bennett in Fritz Lang's The Woman in the Window, ' Andrew Kleven, pages 15 - 21.
# ' The Age of Innocence: Martin Scorsese, 1993, ' Deborah Thomas, pages 22 - 33.
# ' Love Hurts: Redemption within the Bowels of Seil contre tous and the Cinema of Aggression, ' Dion Tubrett, pages 34 - 40.
# ' In Search of the Code inconnu, ' Robin Wood, pages 41 - 49.
# ' Apocalypse Then: Lessons of Darkness Revisited, ' Adam Bingham, pages 50 - 53.
# ' Vive le Cinema: A Reading of What Time is it There?, ' Aysegul Koc, pages 54 - 57.
# ' ... Simply Because You're Near Me: Love, Chungking Expresss and In the Mood for Love, ' Blair Miller, pages 58 - 66.
# ' Music and Modernity in A Brighter Summer Day, ' Saul Austerlitz, pages 67 - 70.
# Letter from Alexander Jacoby [on Catherine Russell's article on Ozu], page 72.
# Response from Robin Wood, page 72.
Theme: Close Readings ' Questions of Value [editor's note], ' Robin Wood, page 1. # ' Unanswered Questions: Vision and Experience in Terrence Malick's The Thin Red Line, ' Jacob...
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