Contents Theme: Minnelli and Ozu Centenary
' [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2.
# ' In Memoriam: Hepburn, Peck, Hepburn, ' unsigned, page 3.
# ' Being a Clown: Curious Coupling in The Pirate, ' Douglas Pye, pages 4 - 13.
# ' The Cobweb, ' Stella Bruzzi, pages 14 - 21.
# ' Home from the Hill: Vincente Minnelli, 1959, ' Michael Walker, pages 22 - 34.
# ' Love and the City: An Analysis of Vincente Minnelli's The Clock, ' Stuart Hands, pages 35 - 37.
# ' The far Side of Paradise; The Style and Substance of Yolanda and the Thief, ' Alexander Jacoby, pages 38 - 44.
# ' The Spaces In-Between: The Cinema of Yasujiro Ozu, ' Adam Bingham, pages 45 - 56.
# ' Notes Toward a Reading of Tokyo Twilight [Tokyo boshoku], ' Robin Wood, pages 57 - 58.

Toronto Film Festival Reviews 2003
# ' Los Angeles Plays Itself, ' Richard Lippe, pages 59 - 61.
# ' Notes on the Toronto Film Festival, ' Robin Wood, pages 62 - 65.
# ' Amos Gitai's Alila, ' Florence Jacobowitz, pages 65 - 67.
# ' Drifters: Smoking and Moping on the Mainland, ' Susan Morrison, pages 67 - 68.
# ' Tabio's So Far Away, ' Scott Forsyth, pages 69 - 70.
# ' The Brown Bunny, ' Dion Tubrett, pages 70 - 71.
# Letter from Catherine Russell [see previous issue's letter section], page 72.
# Letter from Jacob Leigh [correcting errors in his Malick essay], page 72.

Contents Theme: New Directions?
' New Directions? [editor's note], ' Susan Morrison, page 1.
# ' Where Globalization and Localization Meet: Spike Lee's The 25th Hour, ' Patricia O'Neill, pages 2 - 9.
# ' The Politics of Hiccups: National Cinema with National Language, ' Aniko Imre, pages 8 - 17.
# ' Two Stories, One Right, One Wrong: Narrative, National Identity and Globalization in Sliding Doors, ' David Martin-Jones, pages 18 - 27.
# ' The Passion of Global Hollywood: ivansxtc, ' Lisa Kernan, pages 28 - 36.
# ' Korean Cinema Now: Balancing Creativity and Commerce in an Emergent National Industry, ' Peter Harry Rist, pages 37 - 45.
# ' Striking Home: Trends and Changes in Vietnamese Cinema, ' Kim Worthy, pages 46 - 53.
# ' Takashi Miike's Cinema of Outrage, ' Tony Williams, pages 54 - 62.
# ' Indigenous Feature Films: A New Hope for National Cinemas?, ' Jenifer L. Gauthier, pages 63 - 71.
# Letter from representatives of the Film Studies Association of Canada [on the attacks on Catherine Russell's essay on Ozu], page 72.
# Editorial note from Scott Forsyth [on the letter exchanges concerning Catherine Russell's article on Ozu], page 72.
# Response from Robin Wood [to Russell's letter in issue No. 63], page 72.

Contents Theme: Sex, Terror, Madness, Canada
' Sex, Terror, Madness, Canada [editor's note], ' Scott Forsyth, page 1.
# ' In the Web of David Cronenberg: Spider and the New Auteurism, ' Reni Celeste, pages 2 - 5.
# ' Thoroughly Modern Maddin, ' David Pike, pages 6 - 18.
# ' Canadian Social Documentary in the Age of Michael Moore: The Corporation and The Fix, ' Seth Feldman, pages 17 - 19.
# ' Gay Guerrilla Filmmaking and Terrorist Chic: Toronto Filmmaker Bruce LaBruce Discusses His Latest Art/Porn Feature, The Raspberry Reich, ' Matthew Hays, pages 20 - 24.
# ' Caress, The Decay: Queer Desire in he Nature of Nicholas , ' Andrew Lesk, pages 25 - 29.
# ' The Local and the Global Revisited: Un 32 A?ut sur terre, ' Darrell Varga, pages 30 - 36.
# ' You Watch To Much TV, Kid: Causalities of Cultural Colonialism, ' Robert L. Cagle, pages 37 - 43.
# ' Tedium and Torture: Fight Club, Globalization, and Professionals in Crisis, ' John McCullough, pages 44 - 53.
# ' Allegorical Figurations and the Political Didactic in Bulworth, ' Reagan Ross, pages 54 - 63.

Toronto International Film Festival
# ' Bridges: Notre Musique ' Peter Harcourt, pages 63 - 64.
# ' Hou Hsiao-Hsien's Cafe Lumiere ' Florence Jacobowitz, pages 65 - 66.
# ' The Ninth Day and Downfall ' Susan Morrison, pages 66 - 67.
# ' Living and Looking at Life: Bruce Webber Interviewed ' Richard Lippe, pages 67 - 70.
# ' The Toronto Film Festival: Random Thoughts ' Robin Wood, pages 71 - 72.