2007
Issue 189
January
Features #British Cinema Now: The Lost Leader Colin MacCabe recalls Derek Jarman - and the joys of Super-8, queer politics and arthouse funding. Plus Melissa Gronlund on how film artefacts... more
Issue 190
February
Sleeping With The Enemy: Back in 2003 Paul Verhoeven said that he had to leave Hollywood to save his soul. Now Black Book sees him return to his native Holland... more
Issue 191
March
The Ceremony Of Innocence: From Mick Jagger to Allen Ginsberg, Peter Whitehead captured the personalities and politics of the 1960s in films such as Tonite Let's All Make Love in... more
Issue 192
April
Sound And The Fury: Terence Davies: The Long Day Closes captures the sounds of a postwar iverpool childhood and the redeeming power of the picturehouse. But why can't director Terence... more
Issue 193
May
New Boots And Rants: It's 1983 and a victorious Margaret Thatcher has set her sights on the enemy at home. Shane Meadows' This Is England captures the era's embattled and... more
Issue 194
June
10 Picks from the Grindhouse: Tim Lucas gets down and dirty - then takes himself off for a shower.
Radical Chic: As the Cannes film festival celebrates its 60th birthday,... more
Issue 195
July
Ken Russell: Sweet Swell Of Excess: The wild exuberance, surreal imagination and sheer vulgarity of Ken Russell's films of the 1970s and 1980s have earned him a place as patron... more
Issue 196
August
Roll Forever: To mark a season of Andy Warhol films at the BFI Southbank, director Gus Van Sant tells Amy Taubin why he's been described as the Factory artist's alter... more
Issue 197
September
Love in the afternoon: D.H. Lawrence's iconic tale of unbridled passion has had many interpreters. But none has captured its title character's sensual awakening as effectively as Pascale Ferran in... more
Issue 198
October
Eastern Promise: Films like The Death of Mr. Lazarescu and Palme d'Or-winner 4 Months, 3 Weeks and 2 Days point to Romania as the cradle for the next cinematic new... more
Issue 199
November
Robert Bresson: Alias Grace: Robert Bresson produced a poetic and uncompromising body of work that defined the limits of cinema as an artform. By Michael Brooke PLUS Olivier Assayas, Aki... more
Issue 200
December
The Incomplete Tsai Ming-liang: Who else could combine sex with watermelons and the backdrop of an abandoned, leaking building into an ascetic musical? Roger Clarke talks to Taiwanese cinema's great... more