2000
Issue 105
January
The cage of reason: Tim Burton is not the only creative force behind Sleepy Hollow, which may be why it's pitched between horror and the spoofery that made his name,... more
Issue 106
February
Issue 107
March
No smoking gun: Michael Mann's The Insider turns a true story of one man's fight to expose the lethal policies of the tobacco industry into an intense conspiracy thriller. Nick... more
Issue 108
April
Death and the maidens: Sofia Coppola's adaptation of The Virgin Suicides goes beyond most dystopian visions of susburbia to a poignant landscape of nostalgia and loss.
Deadpan afterlife: Buster... more
Issue 109
May
Issue 110
June
Issue 111
July
East is best: Cannes 2000: From the new Wong Kar-Wai to the new Lars von Trier, this year's Cannes offered quality and controversy in equal measure, as Nick James reports.... more
Issue 112
August
In the mood for Edinburgh: Wong Kar-Wai talks about his most difficult film-making experience with Tony Rayns. Plus festival highlights: Japan's horror hit The Ring, Mike Figgis' split-screen Time Code,... more
Issue 113
September
How do you solve a problem like Von Trier?: With Bjork plausible in the lead role and her true pop self singing her own songs, what else is it about... more
Issue 114
October
Beauty's slow fade: The House of Mirth, a sumptuous adaptation of Edith Wharton's novel, marks a triumphant change of direction for Terence Davies. Philip Horne explains its virtues and talks... more
Issue 115
November
Ugly (In a nice way): Mark Brandon 'Chopper' Read is one of Australia's most notorious killers. Nick Roddick asks Chopper director Andrew Dominik what attracted him to a man said... more
Issue 116
December
Stealth and duty: Ang Lee's ravishing Crouching Tiger, Hidden Dragon introduces full-throttled romance to the martial-arts genre. Philip Kemp finds out why the director keeps tackling projects so mould-breaking they... more