1998
Issue 81
January
January
Issue 82
February
February
Issue 83
March
March
The mouth and the method: Quentin Tarantino's Jackie Brown brings together blaxploitation and Elmore Leonard pulp. He explains why he's a 'method writer' and why he's not afraid to use...
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Issue 84
April
April
Issue 85
May
May
Saint Nick: Why is Nick Nolte Oliver Stone's, Paul Schrader's and Alan Rudolph's favourite troubled man? Geoffrey Macnab considers the last of the complex tough guys.
X for 'X' films:... more
X for 'X' films:... more
Issue 86
June
June
Issue 87
July
July
FONT COLOR='#ff0000'>Lucifer Rising: The Exorcist is probably the scariest mainstream movie ever made. As it is re-released, Mark Kermode takes an exclusive look at unseen out-takes and talks to all...
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Issue 88
August
August
Bubble Boy: The Truman Show, Peter Weir's satire of a life lived on television starring Jim Carrey, has been feted in the US for its cleverness. But how clever is...
more
Issue 89
September
September
American Voyeur: Velvet Goldmine is a kaleidoscopic glam-rock fantasia that celebrates artifice and blurs boundaries. Director Todd Haynes talks to Nick James about Oscar Wilde and working class heroes. Plus...
more
Issue 90
October
On cover:
October
Blind date: Elmore Leonard's laid back pulp is a hard nut for movie-makers to crack, but Steven Soderbergh's understated Out of Sight succeeds where others fail, argues Peter Matthews. Plus...
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On cover:
Issue 91
November
November
Pullinh the pin on Hal Hartley: Hal Hartley's sixth movie, Henry FooL is his first to value real emotion over style, argues Ryan Gilbey. Plus London Film Festival highlights: Chris...
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