2007
Issue 189
January 2007
January 2007
Main Cover
Features
#British Cinema Now: The Lost Leader
Colin MacCabe recalls Derek Jarman - and the joys of Super-8, queer politics and arthouse funding. Plus Melissa Gronlund on how film artefacts are filling the galleries
#Before The Flood
Gary McMahon walks t
#British Cinema Now: The Lost Leader
Colin MacCabe recalls Derek Jarman - and the joys of Super-8, queer politics and arthouse funding. Plus Melissa Gronlund on how film artefacts are filling the galleries
#Before The Flood
Gary McMahon walks t
Issue 190
February 2007
February 2007
Main Cover
Sleeping With The Enemy: Back in 2003 Paul Verhoeven said that he had to leave Hollywood to save his soul. Now Black Book sees him return to his native Holland for a story that injects sex and adventure into the ambiguous realities of World War II resista
Issue 191
March 2007
March 2007
Main Cover
The Ceremony Of Innocence: From Mick Jagger to Allen Ginsberg, Peter Whitehead captured the personalities and politics of the 1960s in films such as Tonite Let's All Make Love in London and The Fall. What drove him to give it all up in pursuit of falconry
Issue 192
April 2007
April 2007
Main Cover
Sound And The Fury: Terence Davies: The Long Day Closes captures the sounds of a postwar iverpool childhood and the redeeming power of the picturehouse. But why can't director Terence Davies keep in regular work asks David Thompson.<br>
Unknown Soldiers:
Unknown Soldiers:
Issue 193
May 2007
May 2007
Main Cover
New Boots And Rants: It's 1983 and a victorious Margaret Thatcher has set her sights on the enemy at home. Shane Meadows' This Is England captures the era's embattled and tribal youth cultures with warmth and style. By Jon Savage.<br>
You Must Be Joking:
You Must Be Joking:
Issue 194
June 2007
June 2007
Main Cover
10 Picks from the Grindhouse: Tim Lucas gets down and dirty - then takes himself off for a shower.<br>
Radical Chic: As the Cannes film festival celebrates its 60th birthday, Chris Darke uncovers the history of political radicalism that underlies the glit
Radical Chic: As the Cannes film festival celebrates its 60th birthday, Chris Darke uncovers the history of political radicalism that underlies the glit
Issue 195
July 2007
July 2007
Main Cover
<FONT COLOR='#ff0000'>Ken Russell: Sweet Swell Of Excess</font>: The wild exuberance, surreal imagination and sheer vulgarity of Ken Russell's films of the 1970s and 1980s have earned him a place as patron saint of British extreme, argues Linda Ruth Willi
Issue 196
August 2007
August 2007
Main Cover
<FONT COLOR='#ff0000'>Roll Forever</font>: To mark a season of Andy Warhol films at the BFI Southbank, director Gus Van Sant tells Amy Taubin why he's been described as the Factory artist's alter ego.<br>
<FONT COLOR='#ff0000'>Back to School</font>: Harry
<FONT COLOR='#ff0000'>Back to School</font>: Harry
Issue 197
September 2007
September 2007
Main Cover
<FONT COLOR='#ff0000'>Love in the afternoon</font>:
D.H. Lawrence's iconic tale of unbridled passion has had many interpreters. But none has captured its title character's sensual awakening as effectively as Pascale Ferran in Lady Chatterley. Geoffrey Ma
D.H. Lawrence's iconic tale of unbridled passion has had many interpreters. But none has captured its title character's sensual awakening as effectively as Pascale Ferran in Lady Chatterley. Geoffrey Ma
Issue 198
October 2007
October 2007
Main Cover
<FONT COLOR='#ff0000'>Eastern Promise</font>:
Films like The Death of Mr. Lazarescu and Palme d'Or-winner 4 Months, 3 Weeks and 2 Days point to Romania as the cradle for the next cinematic new wave. Nick Roddick reports.<br>
<FONT COLOR='#ff0000'>A Worl
Films like The Death of Mr. Lazarescu and Palme d'Or-winner 4 Months, 3 Weeks and 2 Days point to Romania as the cradle for the next cinematic new wave. Nick Roddick reports.<br>
<FONT COLOR='#ff0000'>A Worl
Issue 199
November 2007
November 2007
Main Cover
<FONT COLOR='#ff0000'>Robert Bresson: Alias Grace</font>:
Robert Bresson produced a poetic and uncompromising body of work that defined the limits of cinema as an artform. By Michael Brooke PLUS Olivier Assayas, Aki Kaurism?ki, Paul Schrader, Bruno Dumon
Robert Bresson produced a poetic and uncompromising body of work that defined the limits of cinema as an artform. By Michael Brooke PLUS Olivier Assayas, Aki Kaurism?ki, Paul Schrader, Bruno Dumon
Issue 200
December 2007
December 2007
Main Cover
<FONT COLOR='#ff0000'>The Incomplete Tsai Ming-liang</font>:
Who else could combine sex with watermelons and the backdrop of an abandoned, leaking building into an ascetic musical? Roger Clarke talks to Taiwanese cinema's great poet of eroticism and lone
Who else could combine sex with watermelons and the backdrop of an abandoned, leaking building into an ascetic musical? Roger Clarke talks to Taiwanese cinema's great poet of eroticism and lone