1996
Issue 57
January 1996
January 1996
Main Cover
Scorsese's testament: interview by Ian Christie about Casino<BR>
Bright lights, big city: Saul Bass and Casino's title sequence<BR>
Algiers in Paris: on-set of Merzak Allouache's Salut Cousin!<BR>
Extremities: on set interview with Terry Gilliam about 12
Bright lights, big city: Saul Bass and Casino's title sequence<BR>
Algiers in Paris: on-set of Merzak Allouache's Salut Cousin!<BR>
Extremities: on set interview with Terry Gilliam about 12
Issue 58
February 1996
February 1996
Main Cover
The boys are back in town: interviews and article on Trainspotting<BR>
Dad's the word: Lem Dobbs on Charlton Heston<BR>
Things are moving very quickly: Mike Figgis' Leaving Las Vegas diary<BR>
The Long Take: Andy Medhurst on Fassbinder<BR>
Almodovar and t
Dad's the word: Lem Dobbs on Charlton Heston<BR>
Things are moving very quickly: Mike Figgis' Leaving Las Vegas diary<BR>
The Long Take: Andy Medhurst on Fassbinder<BR>
Almodovar and t
Issue 59
March 1996
March 1996
Main Cover
The dark side: Oliver Stone and Nixon<BR>
Motion and emotion: Tony Rayns interviews Chen Kaige about Temptress Moon<BR>
Bob and Al in the coffee shop: Michael Mann's script and notes for that scene in Heat<BR>
Cautionary tale: Sense and Sensibility articl
Motion and emotion: Tony Rayns interviews Chen Kaige about Temptress Moon<BR>
Bob and Al in the coffee shop: Michael Mann's script and notes for that scene in Heat<BR>
Cautionary tale: Sense and Sensibility articl
Issue 60
April 1996
April 1996
Main Cover
Smoke opera: Paul Auster interview on Smoke<BR>
Between Hollywood and Sundance: Larry Gross at the festival<BR>
Time and the machine: Terry Gilliam on 12 Monkeys<BR>
Inside the light: Se7en cinematographer Darius Khondji interview<BR>
In the cold: The X F
Between Hollywood and Sundance: Larry Gross at the festival<BR>
Time and the machine: Terry Gilliam on 12 Monkeys<BR>
Inside the light: Se7en cinematographer Darius Khondji interview<BR>
In the cold: The X F
Issue 61
May 1996
May 1996
Main Cover
Kids: Larry Clark interview and article<BR>
On the road: Clare Peploe's diary on her film Rough Magic<BR>
Working with Kieslowski: Three colleagues remember<BR>
Hell freezes over: The Coens on Fargo<BR>
Rebecca: Alison Light reappraises Hitchcock's film<B
On the road: Clare Peploe's diary on her film Rough Magic<BR>
Working with Kieslowski: Three colleagues remember<BR>
Hell freezes over: The Coens on Fargo<BR>
Rebecca: Alison Light reappraises Hitchcock's film<B
Issue 62
June 1996
June 1996
Main Cover
Crash: Chris Rodley interviews Cronenberg<BR>
A is for Animation: Part one of cinema alphabet<BR>
Darkness visible: Philip Ridley interview about The Passion of Darkly Noon<BR>
Talk now, pay later: bell hooks on Spike Lee's Girl 6<BR>
The harder way: Tony
A is for Animation: Part one of cinema alphabet<BR>
Darkness visible: Philip Ridley interview about The Passion of Darkly Noon<BR>
Talk now, pay later: bell hooks on Spike Lee's Girl 6<BR>
The harder way: Tony
Issue 63
July 1996
July 1996
Main Cover
Mr Contradiction: Lost Highway on-set interviews by Chris Rodley with David Lynch and Patricia Arquette<BR>
Beyond words: Beyond the Clouds, Antonioni and Wenders<BR>
Mission: sublime: Mission: Impossible<BR>
B for British<BR>
Provoking desire: Tony Rayns
Beyond words: Beyond the Clouds, Antonioni and Wenders<BR>
Mission: sublime: Mission: Impossible<BR>
B for British<BR>
Provoking desire: Tony Rayns
Issue 64
August 1996
August 1996
Main Cover
Playing it straight: Independence Day <BR>
Hammer's cosy violence: Jonathan Coe on what made Hammer great<BR>
Gangsters special: articles on The Godfather, The Long Good Friday, Shaft and other films by Manhola Dargis, Barrie Keeffe, Mike Phillips and Iai
Hammer's cosy violence: Jonathan Coe on what made Hammer great<BR>
Gangsters special: articles on The Godfather, The Long Good Friday, Shaft and other films by Manhola Dargis, Barrie Keeffe, Mike Phillips and Iai
Issue 65
September 1996
September 1996
Main Cover
Nonchalant gaze: Larry Gross on Wong Kar-Wai and Fallen Angels<BR>
Playing for real: David Thomson on movies about sports<BR>
Swings of desire: Tin Cup set report<BR>
Walking alone: John Sayles interview about Kurosawa's Yojimbo<BR>
Wave theory: the rise
Playing for real: David Thomson on movies about sports<BR>
Swings of desire: Tin Cup set report<BR>
Walking alone: John Sayles interview about Kurosawa's Yojimbo<BR>
Wave theory: the rise
Issue 66
October 1996
October 1996
Main Cover
Ready to explode: career profile of Christopher Eccleston and Jude<BR>
Naked miracles: Stig Bjorkman interviews Lars von Trier about Breaking the Waves<BR>
Friends of yours: Andy Medhurst on Friends<BR>
Welles and Touch of Evil: by Peter Wollen<BR>
Everyt
Naked miracles: Stig Bjorkman interviews Lars von Trier about Breaking the Waves<BR>
Friends of yours: Andy Medhurst on Friends<BR>
Welles and Touch of Evil: by Peter Wollen<BR>
Everyt
Issue 67
November 1996
November 1996
Main Cover
On the brink: Lizzie Francke on Jane Campion's The Portrait of a Lady<BR>
If you are not for us: Misha Glenny on Underground and Pretty Village, Pretty Flame<BR>
Body talk: Peter Greenaway on his film The Pillow Book<BR>
The Big Casino: John Powers on cin
If you are not for us: Misha Glenny on Underground and Pretty Village, Pretty Flame<BR>
Body talk: Peter Greenaway on his film The Pillow Book<BR>
The Big Casino: John Powers on cin
Issue 68
December 1996
December 1996
Main Cover
A man for all seasons: article on Samuel L. Jackson<BR>
From the top of the hill: Mohsen Makhmalbaf interview about Gabbeh<BR>
Rising below vulgarity: Gordon Burn on the Russ Meyer myth<BR>
The media do influence us: David Miller and Greg Philo counterpun
From the top of the hill: Mohsen Makhmalbaf interview about Gabbeh<BR>
Rising below vulgarity: Gordon Burn on the Russ Meyer myth<BR>
The media do influence us: David Miller and Greg Philo counterpun