1992
Issue 9
January 1992
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Objects of desire: interview and article on Gus Van Sant's My Own Private Idaho<BR>
Not the classic serial: Do novels such as The Men's Room and Clarissa make good television?<BR>
Always the outsider: Doris Dorrie interview<BR>
Double lives: Bunuel and Be
Issue 10
February 1992
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Sacred and profane: article on Scorsese's Cape Fear by J. Hoberman<BR>
Hall of mirrors: Jonathan Romney on set with Raul Ruiz<BR>
Homelands: interview with Palestinian directors Michel Khleifi and Omar Al-Qattan<BR>
John and Oliver's bogus adventure: arti
Issue 11
March 1992
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David Cronenberg: The wrong body by Amy Taubin; fatal knowledge by Micheal O'Pray; interview by Mark Kermode<BR>
Family plots: Ginette Vincendeau on father-daughter relationships in French cinema<BR>
On the road: two new challenging TV documentaries<BR>
K
Issue 12
April 1992
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Revelations: Wim Wenders interview about Until the End of the World<BR>
Scorsese's masquerade: Pam Cook on femininity and Cape Fear<BR>
Boys and girls come out to play: Lizzie Francke on Hollywood's second childhood<BR>
Rivette and the end of cinema: Thom
Issue 13
May 1992
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Halfway to paradise: article on Terence Davies' The Long Day Closes by John Caughie<BR>
Getting even: Carol Clover on rape-revenge movies<BR>
Shape of time: Errol Morris interview<BR>
Tony Richardson and the charge of the light brigade: Vanessa Redgrave c
Issue 14
June 1992
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Laughing and killing: article on The Player and interview with Robert Altman<BR>
Writers talk: Screenwriters article<BR>
Burning down the house: Amy Taubin on Atom Egoyan's The Adjuster<BR>
Spectacular stories: review of Raymond Bernard's career by Lenny
Issue 15
July 1992
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Content page
Invading bodies: Alien3 article by Amy Taubin and others<BR>
Falling out of love: Serge Daney's critique of Annuad's The Lover<BR>
Branded images: Graham Murdock on product placement<BR>
I am a believer: Michael Eaton on Michael Tolkin's The Rapture and i
Issue 16
August 1992
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Content page
Roadside attractions: Jim Jarmusch article and interview<BR>
Fire and ice: set report from Sally Potter's Orlando<BR>
Carry on camp: article on the Carry On films<BR>
Hard boiled: Tony Rayns on John Woo<BR>
Delirious Projections: Peter Wollen traces the h
Issue 17
September 1992
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Content page
Once upon a time in Paris: interview and article on Leos Carax's Les Amants du Pont Neuf<BR>
Quality time: Jonathan Powell interview about the BBC<BR>
Blow up a storm: the making of Dust Devil: set report and article on Richard Stanley's follow-up to Hard
Issue 18
October 1992
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Beauty and the beasts: Marina Warner explores the fairy tale<BR>
Shadowing the hero: article and interview with Clint Eastwood about Unforgiven<BR>
Out of the ghetto: Michael E. Dyson on what fuels black cinema<BR>
Remembering Michael Powell: celebration
Issue 19
November 1992
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Wars and peace: Michael Mann interview<BR>
Gothic shadows: Freddie Francis interview on horror<BR>
Conquistadors' cinema: Peter Wollen on Ridley Scott's 1492<BR>
Comic positions: Chris Wagstaff on two sequences from De Sica's Bicycle Thieves<BR>
Writers'
Issue 20
December 1992
Main Cover
The men's room: article on international art-house violence<BR>
Blade Runner: Telling the Difference: Philip Strick on the director's cut<BR>
Nights at the Opera: Tony Rayns set report from Chen Kaige's Farewell My Concubine<BR>
Out of the ashes: Brian De