MGM: The Studio At Its Zenith (by W. Dixon Powell);The Ghost Of Thalberg - MGM 1946-51 (by Dennis Giles);Interview With Tay Garnett (by Rick Fernandez);Clarence Brown: Garbo And Beyond (by Scott Eyman);Upton Sinclair's THE WET PARADE (by Joe Mansfield);Designing For the Stars: Interviews with Walter Plunkett (by Rick Fernandez) and Edward Carfagno (by Donald Deschner);THE PIRATE (by Douglas McVay);The Lion Began With A Frog (by Mark Mayerson);Made in Hollywood, USA - a conversation with A. Arnold Gillespie (by Tim Onosko).

Towards A Definition Of Filmnoia (article by George Wead); William Friedkin...Exorcist (article by Mark Falonga); Violence And Film: The Thesis Of A CLOCKWORK ORANGE (article by Walter Evans); Roman Polanski's CHINATOWN (article by Michael Wilmington); Robert Mulligan: Direction By Indirection (article by John Belton); Detecting, Defecting And Whistling In The Dark: The Recent Films Of Blake Edwards (article by William Luhr and Peter Lehman); Subjective Cinema: The Films Of Noel Black (article by Peter Nelhaus); The Search For Self In The Films Of Nicolas Roeg (article by Richard Wagner); The BILLY JACK Phenomenon (article by Ted Siminoski); Let It Run (article by Peter Hogue); Eight Notes On The Underground (article by Russell Campbell); Formalist Cinema: Artistic Suicide In The Avant-Garde (article by Ellen Freyer).Book Reviews: including "Pieces Of Time" by Peter Bogdanovich and "The Comic Mind" by Gerald Mast.

The Western: The Losing Of The West (article by William Park); Zane Grey and W.S. Hart: The Romantic Western Of The 1920s (article by John G. Cawelti); The Reformation Of The Good Badman (article by Charles Reed Mitchell and Frank Scheide); Selected Sound Westerns And Their Novel Sources (article by Gerald Peary); Nicholas Ray's JOHNNY GUITAR (review article by Michael Wilmington); Talking And Doing In RIO BRAVO (review article by Richard T. Jameson); Once Upon A Time In Italy: The Italian Western Beyond Leone (article by Stuart M. Kaminsky); Same Peckinpah's PAT GARRETT AND BILLY THE KID (review article by Garner Simmons); JEREMIAH JOHNSON: The Mountain Man As Modern Hero (review article by Patricia Erens).Book Reviews: including "Westerns" by Philip French and "THe Western: From Silents To The 70s" by George N. Fenin and William K. Everson.

Celluloid Sedition: The Strange Case Of The Hollywood Ten (article by Reid Rosefelt); Sword Of The Lord (article by Robert L. Sumner); Ideological Gunfight At The RKO Corral (article by Harry Wasserman); 1953, The New Era: A Brief History Of The Three-Dimensional Film (article by Tim Onosko); Some Thoughts On 50s Gangster Films (article by Richard Whitehall); Don Siegel And BABY FACE NELSON (review article by by Stuart M. Kaminsky); Rogue Cops And Mink-Coated Girls (article by Tom Flinn); "Dignity - Always Dignity": the musicals of Adolph Green and Betty Comden (article by Stephen Winer); Vincente Minnelli's THE BAND WAGON (review article by Peter Hogue); Nicholas Ray: THe Years At RKO, Part Two (article by Michael Wilmington); Kazan In The 50s (article by Gary Collins); Three By Aldrich (article by George Robinson); Chaplin's A KING IN NEW YORK (review article by John Belton); Renoir's THE RIVER Re-Viewed (review article by John Frazer).Book Reviews: including critical studies of Minnelli, Dovzhenko and Murnau and "Memo From David O. Selznick".

RKO Radio: An Overview (article by Tim Onosko); A Studio Chronology (by John Davis); RKO's Fallen Women 1930-33 (article by Marilyn Campbell); Fred And Ginger Meet Van Nest Polglase (article by Ellen Spiegel); Interview: John Cromwell (by Susan Dalton and John Davis); Dorothy Arzner's DANCE, GIRL, DANCE (review article by Karyn Kay and Gerald Peary); Mark Robson Remembers RKO (interview by Dannis Peary); OUT OF THE PAST (review article by Tom Flinn); Daniel Mainwaring on writing OUT OF THE PAST (interview by Tom Flinn); Nicholas Ray: The Years At RKO, Part One (article by Michael Wilmington); Interview: Nicholas Ray (by Michael Wilmington).Book Reviews: including "Val Lewton: The Reality Of Terror" and "Film As Film".