Independent Films: Part 1<br>

Chains Without Balls - Lloyd Kaufman with Adam Jahnke<br>
'Yeah, I Killed My Momma!' The Moral Ambiguity of
Henry: Portrait of a Serial Killer -William P. Simmons<br>
American Independent Productions
from The New Poverty Row - Fred Olen Ray<br>
Inventing Terror
Interview with Jon Keeyes - Mike Watt<br>
Censors, Sedonist, And Smut Peddlers:
William H. Hays - Sacha A. Howells<br>
Indie Films Take The Driver's Seat - Zack Venable<br>

Columns<br>

How Independent are Independent Films? - Nina Hartley<br>
Under Penalty of Arrest:
Your Art Or Your Freedom - Garrett Peck<br>
NetSpeech 2000, Part 2 - Russ Kick<br>
Literary Lesions - William P. Simmons<br>

Fiction<br>

A Life in the Cinema - Mick Garris<br>

Reviews/Commentary

Shadows on the Shelf - Garrett Peck<br>
Goliath Prevails Over David
and Born Bad excerpt - Barry Hoffman<br>
In The Groove - Dexter Carter

Independent Films: Part 2<br>

Exclusive John Landis Interview - Mick Garris<br>
'Enlightened' Cinema -Adam Groves<br>
A Tale of Indie Success: Debbie Rochon - Mike Watt<br>
Let He Without Money Shoot the First Frame<br>
A Look at Micro-Budget Filmmaking - Mike Watt<br>
Interview with Indie Filmmaker Don Coscarelli - Mick Garris<br>
Foreign Filmmakers, Bomb Throwers,<br>
Senators and Schmucks - Adam Groves<br>

Feature<br>

Blaming Bill Stout - Richard Cusick<br>

Columns<br>

NetSpeech 2001, Part 1 - Russ Kick<br>
Why Fundamentalists Hate Sex - Nina Hartley<br>
Censors, Sedonists, And Smut Peddlers:
Upton Sinclair - Sacha A. Howells<br>

Reviews<br>

Shadows on the Shelf - Garrett Peck<br>
In The Groove - Dexter Carter