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NEWS STORIES<br>
Post Socks NY Dailies - David Hechler<br>
Censorship the Old Fashioned Way - Mike Bratsis<br>
Censorship Chicago-Style - Donna Bocian<br>
Ever Heard of Banned Book Week? - William Noble<br>
Top Ten Censors of 1990 - Linda Bornstein<br>
Canada and the Art of Subtle Censorship - Cliff Burns<br>
The Year In Censorship - John Rosenman<br>
How To Make Love To A Negro Without Getting Tired - Jami Bernard<br>
Intrigue in the Newsroom\Opinion - Richard G. Carter<br>

MPAA<br>
The Dreaded X - Stephen King<br>
Interviews with Wes Craven, Jack Valenti, & Pedro Almodovar - Jami Bernard<br>
Horror Filmmakers Versus the MPAA - Stanley Wiater<br>
Spawn of the NC-17/Henry and June - Paul Sammon<br>

2 LIVE CREW & THE MUSIC SCENE<br>
Interviews with Luther Campbell & Penelope Spheeris - Jami Bernard<br>
Where the Bust Was - Sondra London<br>
Going Deep in the Sweet Tea Belt - Lacey MacFingle<br>
The Most Ridiculous Case (Charles Freeman) - Sondra London<br>
2 Live Crew: Will Fame Be Fleeting - Deborah Wilker<br>
Keeping Our Ears to the Streets - Tom Moon<br>
Just Say No to the Material Girl - Kathryn Ptacek<br>

RAY BRADBURY<br>
Interview with Bradbury - Donn Albright<br>
Introduction - William F. Nolan<br>
Bonfire - Ray Bradbury<br>
Bright Phoenix - Ray Bradbury<br>

KIDDIE PORN<br>
Cripple - Andrew Vachss<br>
Two Pictures of a Crime - David Hechler<br>
The Victim's Side: A Firsthand Account - Ron Leming<br>

STEPHEN KING<br>
Stephen King: Spawn of Satan - Howard Wornom<br>
Considering The Stands - Michael Collings<br>
News on King - George Beahm<br>
Buying Without Fear: A Buyer's Guide To King Collectibles - George Beahm<br>
The Stephen King Influence - Stephen Spignesi<br>
The Art of Stephen King - A Gallery by Various Artists<br>

CENSORSHIP IN COMICS<br>
Raw: Interview and art of Art Spiegelman - Doug Martin<br>
Comics: The New Adult Art Form - Kevin Hamilton<br>
Hot Box: The Wrong Time, The Wrong Place<br>
'Fulce-fying' the Evidence - Stephen R. Bissette<br>
Behind Enemy Lines: An Original Strip - Russ Miller<br>

CENSORSHIP AND THE VISUAL ARTS<br>
David Wojnarowicz versus Donald Wildmon's AFA - Doug Martin<br>
Sign of the Times - Mike Baker<br>
Bullwhips, Sex Slaves and Catcher in the Rye - Stephen Rohde<br>
America's Finest: Art Police and the NEA - Greg Hubbard<br>
Carhenge - Marilyn Sallee<br>

DEBATES<br>
Son of Sam Laws: Pro or Con - Gerard Schaefer & John Sutherland<br>
Publishing Names of Rape Victims - Karen DeCrow, Karen Jurgensen, & Natalie Latorre<br>
Outing - M. Scott Mallinger & Urvashi Vaid<br>

FICTION<br>
Bookmarks - Ronald Kelly<br>
A Fair Cop - Karl Wagner<br>
Comical Justice - Kevin J. Anderson<br>
Interview with a CENSORED Vampire - Rex Miller<br>
The Bastille - Bentley Little<br>
Grease Monkey - Graham Masterton<br>
Gypsy Pigs - Cathy Burburuz<br>
Satanic Versus - K.L. Jones<br>
Crimes of Passion - Richard T. Chizmar<br>
There's No Place Like Home - William Relling<br>

ANYTHING GOES<br>
No Excuses - John Skipp & Craig Spector<br>
My Ticket to the Society of Fiends - Gerard Schaefer<br>
Prison Censorship - Dannie Martin<br>
The Poetry of Inmate N-92205 - C.F. Heffley<br>
American Psychobabble - Lori Perkins & Linda Marotta<br>
Random Thoughts of a Worried Citizen - Bentley Little<br>
A Few Last Words - Thomas F. Monteleone<br>
Hot Stuff - Rick Hautala<br>
Reflections on Censorship - Piers Anthony<br>
Suffer the Children - Gary Brandner<br>
Confessions of a Religious Horror Writer - Ronald Kelly<br>
Just a Little Bit of Pressure: Women in Horror Fiction - Nancy Collins<br>
I Want Your Sex? - Linda Bornstein<br>

BOOK REVIEWS<br>
House of Fiction - Thomas Liam McDonald<br>
Non-Fiction - Matthew Costello