<strong>REWRITING HOLLYWOOD</strong>
<p class="body" style="margin-top: 0pt; margin-bottom: 0pt;" align="left"><em><strong>A Decade in Review</strong></em><br>
The films and writers that changed moviemaking<br>
over the past ten years.

<p class="body" style="margin-top: 0pt;" align="left"><strong><br>
Creative Screenwriting's TOP 50 FILMS
OF THE DECADE - <em>The Reader's List</em></strong><br>
As voted on by the readers and staff.<br>
<br>
<span class="body"><strong>Rewriting Hollywood - <em>The Essays</em> </strong><br>
Rewriting Hollywood: An Introduction BY JEFF GOLDSMITH<br>
The Comics Renaissance BY PETER CLINES<br>

The Long, Slow Death of Horror BY PETER CLINES<br>
Political Pushback BY PETER CLINES<br>
Indie Storm Rising BY ADAM STOVALL<br>
Pixar's Risks Pay Off BY DANNY MUNSO<br>
Don't #*%! with the R-Rated Comedy! BY JEFF GOLDSMITH<br>
<br>
</span><span style="font-family: Times New Roman; font-size: 15px;"><span style="font-family: Arial,Helvetica,sans-serif; font-size: 13px;"><strong>The Best Writing of 2009</strong></span></span>

<p class="body" style="margin-bottom: 0pt;" align="left"><strong>Throwing Out the Book</strong><span class="style37"><br>
</span><span class="body">Screenwriter Gary Whitta found himself working against conventional
wisdom, methods and even his own rules of screenwriting when he
penned a sci-fi parable about faith called <em>The Book of Eli</em>.<br>
BY PETER CLINES</span>
<p class="body" style="margin-top: 0pt; margin-bottom: 0pt;" align="left"><span class="body"><br>
</span><strong>Niche Markets for Screenwriters</strong>
<p class="body" style="margin-top: 0pt;" align="left">Niche films are seeing their business boom because of recent
Hollywood fare and are creating new opportunities for screenwriters.<br>
BY JOHN FOLSOM

<p class="body" style="margin-bottom: 0pt;" align="left"><strong>Men Growing Up...At Least a Little</strong>
<p class="body" style="margin-top: 0pt;" align="left">Following the runaway success of The Hangover, audiences should<br>
prepare themselves for more tales of men failing to act their age.<br>
BY PAUL DORO