Features<br>

Glorious<br>
Quentin Tarantino's glorious return to the screen is explained by none other than the maestro himself. <br>
BY JEFF GOLDSMITH<br>

Funny Guy<br>
Funny People marks writer-producer-director Judd Apatow's most personal work to date-a feat that he's been striving toward for well over a decade.<br>
BY JEFF GOLDSMITH<br>

In the Public Eye <br>
Screenwriters Ronan Bennett and Ann Biderman, and writer-director Michael Mann each did time with John Dillinger, one of America's most well-known-and well-liked-criminals, to create the script for Public Enemies.<br>
BY PETER CLINES<br>

An American Writer in Bollywood: From Michigan to Mumbai<br>
Supriya Kelkar may be the only American writer ever to go straight from college to writing for Bollywood. Here's what the journey has been like so far.<br>
BY SUPRIYA KELKAR<br>

Did Anyone See the Original?: Direct-to-DVD Horror Sequels to Movies That Didn't Fly<br>
They're a sub-niche of a niche. Because even failed horror films develop a brand identity, their sequels work financially. That makes them a market in which a writer can make a living.<br>
BY PAUL DORO