Rosalind Galt<br>
Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image <br>
Belinda Smaill<br>
The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity <br>
Constantin Parvulescu<br>
Betrayed Promises: Politics and Sexual Revolution in the Films of Marta Meszaros, Milo Forman, and Duan Makavejev <br>
Suzanne Gauch<br>
Now You See It, Now You Don't: Transnational Feminist Spectatorship and Farida Benlyazid's A Door to the Sky <br>
K K Seet<br>
Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of Two Sisters <br>
Ewan Kirkland<br>
Masculinity in Video Games: The Gendered Gameplay of Silent Hill <br>
Call for Submissions: In Practice: Feminism/Culture/Media <br>

Ned Schantz<br>
Hospitality and the Unsettled Viewer: Hitchcock's Shadow Scenes
<br>

Linda Williams<br>
Cluster Fuck: The Forcible Frame in Errol Morris's Standard Operating Procedure
<br>

Richard Pope<br>
Affects of the Gaze: Post-Oedipal Desire and the Traversal of Fantasy in Blade Runner
<br>

Scott Balcerzak<br>
Laurel and Hardy Queer the Fraternity: The Comedy Duo and Heterosexual Brotherhood in Sons of the Desert
<br>

Julie Levin Russo<br>
Show Me Yours: Cyber-Exhibitionism from Perversion to Politics
<br>

Anna E. Ward<br>
Pantomimes of Ecstasy: BeautifulAgony.com and the Representation of Pleasure

Pink Technology: Mediamaking Gear for Girls
Mary Celeste Kearney <br>
Mika Rottenberg's Productive Bodies
Hsuan L. Hsu <br>
"Would you like to sin with Elinor Glyn?"
Film as a Vehicle of Sensual Education
Laura Horak <br>
The Front Lawn of Heaven: Landscape in Hollywood
Melodrama circa 1945
Jennifer Peterson <br>
In Practice: Activist Video
Documenting Modern-Day Slavery in the Dominican Republic:
An Interview with Amy Serrano
Michael T. Martin <br>
Maquilapolis: An Interview with Vicky Funari and
Sergio de la Torre
Rosa-Linda Fregoso <br>
Why Isn't Michelle Lopez on Judge Judy? Citizenship
and Televisuality in Hima B.'s And I Do Survive
Ani Maitra.

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