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CINEACTION
Quarterly Scholarly Journal from Toronto ,Canada
Ceased publication

- First and last issue: 1985-2016
- Provides "alternatives to what is generally available".
- Published three times a year.
- Editors: Robin Wood (1985-2007), Scott Forsyth, Florence Jacobowitz, Richard Lippe and Susan Morrison..
- Published by CineAction! Collective
- Website: cineaction.ca/

Last updated:
8 February 2022
(see recent updates)

Special thanks for this page goes to:
Garry Malvern
Peter
Scott Matheson

COVERS FOUND & MISSING

Info from the Database

Highslide JS Listing is complete and all covers have been found.

See The listing

CONTENTS: 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 All

GALLERIES: 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 All

Issue 81
October/November 2010

War Films: The Hurt Locker; In the Valley of Elah; The Thin Red Line; Female Directors: Nancy Meyers; Vera Chytilova; Japanese Directors and Much More!!!

Issue 80
August/September 2010

Genre and Global Cinema

GENRE
Shocked and Awed?
Hostel and the Spectacle of Self-Mutilation
by Gregory A. Burris
Genre Matters
Film Criticism and the Social Relevance of Genres
by Juan A. Tarancon
Whos Bleeding Whom?
Analyzing the Cultural Flows of Blaxploitation Cinema, Then and Now
By John Semley
Telling the (Wrong) Story
The Disintegration of Transcultural Communication and Narrative in The Fall
by E. Charlotte Stevens
Where Do We Go From Here?
Confronting Contingency with Gerry
by Lee Knuttila
TORONTO INTERNATIONAL FILM FESTIVAL
White Material
A Film by Claire Denis
by Florence Jacobowitz
European Melodramas
The Refuge and I Am Love
by RICHARD LIPPE
What Does a Woman Want?
Io sono lamore/I Am Love and Cairo Time
by Susan Morrison
A TRIBUTE
Jennifer Jones and Jean Simmons
by RICHARD LIPPE
GLOBAL CINEMA
City Spaces and National Identity
by Katrina Sark
The Language of Emotion in Godard's Films
by Anuja Madan
Neither Hand, Nor Foot, Nor Kidney
Biopower, Body Parts and Human Flows in Stephen Frear's Dirty Pretty Things
by Larissa Lai

Issue 79
Nov./Dec./January 2010

Collaboration & French New Wave: 50 Years
French New Wave: 50 Years by Florence Jacobowitz and Richard Lippe.
Elia Kazan 1909-2009 A Man in Conflict by Richard Lippe
The Second Wave
Collaboration and the Nouvelle Vague by Adam Bingham
Vive l'Amour by Robin Wood.
Contraband: Powell, Pressburger, Veidt, Hobson, Junge and Others
by Tony Williams
Collaborating Agent: Charles Feldman and Clients by Tom Kemper
Body and Soul
John Garfield, Abraham Polonsky and the American Jewish Family
by Stuart Hands
The Biggest Film Biographer in the World
The Films of Ken Russell for the BBC by George Porcari
Cannes Film Festival 2009 by Robert K. Lightning
Trace and Travesty
How The Columbus of Sex Became My Secret Life by Stephen Boomer
Textures of Collaboration
Pop Music Culture and the Experimental Films of Abigail Child and Bill Morrison
by Carolyn Elerding

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