Spring
Contents
A Special Issue on Contemporary Japanese Cinema in Transition
Mitsuyo Wada-Marciano, Introduction
Articles
Daisuke Miyao, From Doppelganger to Monster: Kitano Takeshi's Takeshis'
Aaron Gerow, The Homelessness of Style and the Problems of Studying Miike Takashi
William Gardner , The Cyber Sublime and the Virtual Mirror: Information and Media in the Works of Oshii Mamoru and Kon Satoshi
Mitsuyo Wada-Marciano, Capturing "Authenticity": Digital Aesthetics in the Post-Studio Japanese Cinema
Review-essays / Essais comptes rendus
William C. Wees, Whatever Happened To Underground Film?
Book Reviews Comptes rendus
Julianne Pidduck, Masculine Singular: French New Wave Cinema
Joan Nicks, Now Playing: Early Moviegoing and the Regulation of Fun
Aaron Taylor, The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory
Murray Leeder, Celluloid Vampires: Life After Death in the Modern World
A Special Issue on Contemporary Japanese Cinema in Transition
Mitsuyo Wada-Marciano, Introduction
Articles
Daisuke Miyao, From Doppelganger to Monster: Kitano Takeshi's Takeshis'
Aaron Gerow, The Homelessness of Style and the...
more