Contents Features


Glorious

Quentin Tarantino's glorious return to the screen is explained by none other than the maestro himself.

BY JEFF GOLDSMITH


Funny Guy

Funny People marks writer-producer-director Judd Apatow's most personal work to date-a feat that he's been striving toward for well over a decade.

BY JEFF GOLDSMITH


In the Public Eye

Screenwriters Ronan Bennett and Ann Biderman, and writer-director Michael Mann each did time with John Dillinger, one of America's most well-known-and well-liked-criminals, to create the script for Public Enemies.

BY PETER CLINES


An American Writer in Bollywood: From Michigan to Mumbai

Supriya Kelkar may be the only American writer ever to go straight from college to writing for Bollywood. Here's what the journey has been like so far.

BY SUPRIYA KELKAR


Did Anyone See the Original?: Direct-to-DVD Horror Sequels to Movies That Didn't Fly

They're a sub-niche of a niche. Because even failed horror films develop a brand identity, their sequels work financially. That makes them a market in which a writer can make a living.

BY PAUL DORO