Contents

Contents

Contents

Contents

Contents

Contents

Contents Pink Technology: Mediamaking Gear for Girls
Mary Celeste Kearney

Mika Rottenberg's Productive Bodies
Hsuan L. Hsu

"Would you like to sin with Elinor Glyn?"
Film as a Vehicle of Sensual Education
Laura Horak

The Front Lawn of Heaven: Landscape in Hollywood
Melodrama circa 1945
Jennifer Peterson

In Practice: Activist Video
Documenting Modern-Day Slavery in the Dominican Republic:
An Interview with Amy Serrano
Michael T. Martin

Maquilapolis: An Interview with Vicky Funari and
Sergio de la Torre
Rosa-Linda Fregoso

Why Isn't Michelle Lopez on Judge Judy? Citizenship
and Televisuality in Hima B.'s And I Do Survive
Ani Maitra.

Contents Ned Schantz

Hospitality and the Unsettled Viewer: Hitchcock's Shadow Scenes



Linda Williams

Cluster Fuck: The Forcible Frame in Errol Morris's Standard Operating Procedure



Richard Pope

Affects of the Gaze: Post-Oedipal Desire and the Traversal of Fantasy in Blade Runner



Scott Balcerzak

Laurel and Hardy Queer the Fraternity: The Comedy Duo and Heterosexual Brotherhood in Sons of the Desert



Julie Levin Russo

Show Me Yours: Cyber-Exhibitionism from Perversion to Politics



Anna E. Ward

Pantomimes of Ecstasy: BeautifulAgony.com and the Representation of Pleasure

Contents Rosalind Galt

Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image

Belinda Smaill

The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity

Constantin Parvulescu

Betrayed Promises: Politics and Sexual Revolution in the Films of Marta Meszaros, Milo Forman, and Duan Makavejev

Suzanne Gauch

Now You See It, Now You Don't: Transnational Feminist Spectatorship and Farida Benlyazid's A Door to the Sky

K K Seet

Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of Two Sisters

Ewan Kirkland

Masculinity in Video Games: The Gendered Gameplay of Silent Hill

Call for Submissions: In Practice: Feminism/Culture/Media