Collaboration & French New Wave: 50 Years
<br>French New Wave: 50 Years by Florence Jacobowitz and Richard Lippe.

<br>Elia Kazan 1909-2009 A Man in Conflict by Richard Lippe
<br>The Second Wave<br>
Collaboration and the <em>Nouvelle Vague</em> by Adam Bingham
<br><em>Vive l'Amour</em> by Robin Wood.

<br>Contraband: Powell, Pressburger, Veidt, Hobson, Junge and Others<br>
by Tony Williams
<br>Collaborating Agent: Charles Feldman and Clients by Tom Kemper
<br>Body and Soul<br>
John Garfield, Abraham Polonsky and the American Jewish Family<br>
by Stuart Hands

<br>The Biggest Film Biographer in the World<br>
The Films of Ken Russell for the BBC by George Porcari
<br>Cannes Film Festival 2009 by Robert K. Lightning
<br>Trace and Travesty<br>
How <em>The Columbus of Sex</em> Became <em>My Secret Life</em> by Stephen Boomer

<br>Textures of Collaboration<br>
Pop Music Culture and the Experimental Films of Abigail Child and Bill Morrison<br>
by Carolyn Elerding

Genre and Global Cinema<p>

GENRE<br>
Shocked and Awed?<br>
Hostel and the Spectacle of Self-Mutilation<br>
by Gregory A. Burris<br>

Genre Matters<br>
Film Criticism and the Social Relevance of Genres<br>
by Juan A. Tarancon<br>

Whos Bleeding Whom?<br>
Analyzing the Cultural Flows of
Blaxploitation Cinema, Then and Now<br>
By John Semley<br>

Telling the (Wrong) Story<br>
The Disintegration of Transcultural
Communication and Narrative in The Fall<br>
by E. Charlotte Stevens<br>

Where Do We Go From Here?<br>
Confronting Contingency with Gerry<br>
by Lee Knuttila<br>

TORONTO INTERNATIONAL FILM FESTIVAL<br>
White Material<br>
A Film by Claire Denis <br>
by Florence Jacobowitz<br>

European Melodramas<br>
The Refuge and I Am Love<br>
by RICHARD LIPPE<br>

What Does a Woman Want?<br>
Io sono lamore/I Am Love and Cairo Time<br>
by Susan Morrison<br>


A TRIBUTE<br>
Jennifer Jones and Jean Simmons<br>
by RICHARD LIPPE<br>


GLOBAL CINEMA<br>
City Spaces and National Identity<br>
by Katrina Sark<br>

The Language of Emotion
in Godard's Films<br>
by Anuja Madan<br>

Neither Hand, Nor Foot, Nor Kidney<br>
Biopower, Body Parts and Human Flows
in Stephen Frear's Dirty Pretty Things<br>
by Larissa Lai

War Films: The Hurt Locker; In the Valley of Elah; The Thin Red Line; Female Directors: Nancy Meyers; Vera Chytilova; Japanese Directors and Much More!!!