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VELVET LIGHT TRAP
Biannual Scholarly Journal from Austin ,United States


- First issue: 1971
- A film and television studies journal collectively edited by graduate students at the University of Wisconsin at Madison and The University of Texas at Austin.
- Each issue provokes debate about critical, theoretical, and historical topics relating to a particular theme.
- Published by University of Texas Press
- Website: www.utexas.edu/utpress/journals/jvlt.html

Last updated:
31 October 2023
(see recent updates)
Special thanks for this page goes to:
Garry Malvern
Scott Matheson
Grace

COVERS FOUND & MISSING
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CONTENTS: 1971 1972 1973 1974 1975 1976 1977 1978 1982 1983 1985 1986 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All GALLERIES: 1971 1972 1973 1974 1975 1976 1977 1978 1982 1983 1985 1986 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

Issue 70
Fall 2012
- The Materiality of Media
The Lost Studio of Atlantis: Norman Bel Geddes’s Failed Revolution in Television Form
Joshua Gleich
Materiality and Meaning in Recent Projection Performance
Jonathan Walley
The Warner Archive and DVD Collecting in the New Home Video Market
Bradley Schauer
Executable Images: The Enactment and Distribution of Movies in Computer Networks
Gabriel Menotti Gonring
Dossier: Materiality and the Archive
Kit Hughes and Heather Heckman
Book Reviews
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture by Jeffrey A. Brown
Reviewed by Chelsea McCracken
Modular Narratives in Contemporary Cinema by Allan Cameron
Reviewed by Matt Connolly
Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War by Kristin Roth-Ey
Reviewed by Booth Wilson
Piracy: The Intellectual Property Wars from Gutenberg to Gates edited by Adrian Johns
Reviewed by Andrew J. Bottomley


Issue 69
Spring 2012
- Recontextualizing Animation, CGI, and Visual Effects
Dissecting Bambi: Multiplanar Photography, the Cel Technique, and the Flowering of Full Animation
Casey Riffel
On Styles of Theorizing Animation Styles: Stanley Cavell at the Cartoon’s Demise
Ryan Pierson
Kung Fu Panda: Animated Animal Bodies as Layered Sites of (Trans)National Identities
Hye Jean Chung
Is It Real . . . or Is It Motion Capture? The Battle to Redefine Animation in the Age of Digital Performance
Yacov Freedman
An Interview with Geoff Marslett of Swerve Pictures
The Editors
An Interview with Bob Sabiston of Flat Black Films
The Editors
Book Reviews
The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture by Rob King
Reviewed by Paul Monticone
Universal Women: Filmmaking and Institutional Change in Early Hollywood by Mark Garrett Cooper
Reviewed by Paul Monticone
Letterboxed: The Evolution of Widescreen Cinema by Harper Cossar
Reviewed by Eliot Chayt
Widescreen Worldwide edited by John Belton, Sheldon Hall, and Steve Neale
Reviewed by Eliot Chayt
The New Entrepreneurs: An Institutional History of Television Anthology Writers by Jon Kraszewski
Reviewed by Joshua Gleich
Challenge for Change: Activist Documentary at the National Film Board of Canada edited by Thomas Waugh, Michael Brendan Baker, and Ezra Winton
Reviewed by Laura Dixon
Hollywood Reborn: Movie Stars of the 1970s edited by James Morrison
Reviewed by R. Colin Tait

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