Contents No Time For PLAYTIME (review article by James N. Selvidge); JOUR DE FETE: Memories Of A Lost Classic (review article by James N. Selvidge); On The Rise (article by R.C. Dale); Play It Again, Sam The Lion (an overview of 1972 by Richard T. Jameson); Ten Best Lists for 1972 (by A. Baxter, Russell Campbell, Alex Christofides, Joanne Euster, Andras Furesz, Sally Furesz, Ron and Susan Green, Rajeeve Gupta, John Hartl, Rodger Heggen, James and Margaret Henry, Peter Hogue, Mika Inouye, Bill McDaniel, Ellen Matumoto, Lindsay Michimoto, Scott Mugford, Kathleen Murphy, Ray Pierre, Bert and Marilyn Ring, Gail Savina, Frank Andersen, Tom Tangney and David Willingham; Moments Out Of Time (by Richard T. Jameson and Kathleen Murphy).

Contents Five Sleazy Pieces (review article on THE LAST OF SHEILA, THE HARRAD EXPERIMENT, BADGE 373, THE LEGEND OF HELL HOUSE and HARRY IN YOUR POCKET by Kathleen Murphy); Of Staircases And Potato Trucks: Fear And Fatness And Alfred Hitchcock (article by Robert C. Cumbow); In Black And White (books reviews by Peter Hogue and Richard T. Jameson, including "The Only Good Indian" and "The American Film Heritage); Production Unit (article by David Willingham); Reviews: THE LONG GOODBYE; THE SPIDER'S STRATAGEM; LAST TANGO IN PARIS; GODSPELL; PAPER MOON; SOYLENT GREEN; PAT GARRETT AND BILLY THE KID; PRIVATE PARTS; WHITE LIGHTNING.

Contents Two Weeks In Another Town (article by Ken Eisler); The Red Baron And The Aztec Mummy (article by Joanne Euster); Days And Nights In the Frisco Light Trap: The 1973 San Francisco Film Festival (report by Peter Hogue); In Black And White (book reviews by Richard T. Jameson and Kathleen Murphy); Written On The Wind: The Screenwriter (article by R.C. Dale); Reviews: THE OUTSIDE MAN; THE NEW LAND; THE MATTEI AFFAIR; THE PAPER CHASE; WESTWORLD; THE WAY WE WERE; COPS AND ROBBERS; A DOLL'S HOUSE; EXECUTIVE ACTION; SANTEE.

Contents Blues For Mr. Chandler: THE LONG GOODBYE (article by Kathleen Murphy); Limelight (an overview of the films of 1973 by Richard T. Jameson); Moments Out Of Time 1973 (article by Richard T. Jameson and Kathleen Murphy); Erasable Bond (article on the James Bond films by Robert C. Cumbow); Yes, We Have No Bananas: THE GANG'S ALL HERE (review article by R.C. Dale); Production Unit: Hollywood On The Sound (article by David Willingham); Reviews: THE HOMECOMING; AMERICAN GRAFFITI; AGUIRRE: WRATH OF GOD; SLEEPER; PAPILLON; ROBIN HOOD; MAGNUM FORCE; MACUNAIMA; JONATHAN LIVINGSTON SEAGULL; THE WAY WE WERE; ASH WEDNESDAY; DEAD PIGEON ON BEETHOVENSTRASSE.

Contents A Community Of Two: THE TAMARIND SEED.The Hong Kong Gesture: INTIMATE CONFESSIONS OF A CHINESE COURTESAN.Emigrants And Immigrants: THE EMIGRANTS and THE NEW LAND.Reviews:BREEZY; LOVE AND ANARCHY; DEATH WISH; UPTOWN SATURDAY NIGHT; DETECTIVE STORY; THE LONGEST YARD; THE ABDICATION; MACON COUNTY LINE; ANDY WARHOL'S FRANKENSTEIN; L'INVITATION; DIRTY MARY, CRAZY LARRY; THE INTERNECINE PROJECT; THE TERMINAL MAN.

Contents Mad Rooms: Two Films By Bernard Girard.Chaplin's Immortal Story: LIMELIGHT.Hell, Italian Style: Nanni Loy's DETAINED, PENDING TRIAL.Out Of Season: The 19th San Francisco Film Festival.Reviews:BLANCHE; CAPONE; LE SECRET; HARD TIMES; CAPTAIN KRONOS - VAMPIRE HUNTER; WINTERHAWK; A VERY CURIOUS GIRL.

Contents The Richard Lester Sitting-Still Film (interview by James Monaco); Still Life: ROBIN AND MARIAN (review article by Kathleen Murphy); Young German Film-makers On Dangerous Ground (article by Rick Rentschler); Une Femme Sauvage: L'HISTOIRE D'ADELE H. (review article by Robert Cumbow); The Harte Of Hollywood (review article on Allan Dwan's TENNESSEE'S PARTNER by James Damico); Short Reviews: LIPSTICK; THE MAN WHO WOULD BE KING; PATHER PANCHALI; I WILL, I WILL... FOR NOW; THE DUCHESS AND THE DIRTWATER FOX; LE MAGNIFIQUE; ALL THE PRESIDENT'S MEN; BREAKHEART PASS; GABLE AND LOMBARD.

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Special Issue: Samuel Fuller."Hey, Mom, Where's My Suicide Note Collection?" (an interview by Richard Thompson); "When It's Night-Time": Myth And The Geography Of The Unconscious in I SHOT JESSE JAMES (review article by Rick Hermann); THE STEEL HELMET: "I've Got A Hunch We're All Going Round In Circles" (review article by Kathleen Murphy); RUN OF THE ARROW: Birth Pangs Of The United States (review article by Rick Hermann); Creature Contact (article by Richard T. Jameson). Reviews: THE OMEN; VINCENT, FRANCOIS, PAUL ET LES AUTRES; SALUT, L'ARTISTE; THE GOSPEL ACCORDING TO SAINT MATTHEW; MOTHER, JUGS AND SPEED; GREY GARDENS; THE MISSOURI BREAKS; THAT'S ENTERTAINMENT, PART TWO; WILLIE WONKA AND THE CHOCOLATE FACTORY; THE CRAZIES; THE GREAT SCOUT AND CATHOUSE THURSDAY; WON TON TON, THE DOG WHO SAVED HOLLYWOOD; MIDWAY; LOGAN'S RUN; ROBIN AND MARIAN; THE KILLER ELITE; SHOOT.Just Like She Was Before She Was; An Interview With Lina Wertmuller (by Judy Zito).

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"You're Goddamn Right, I Remember": an interview with Howard Hawks (by Kathleen Murphy and Richard T. Jameson); Of Babies, Bones And Butterflies (article on BRINGING UP BABY by Kathleen Murphy); Mysteries Of The Organism (article on THE ENIGMA OF KASPAR HAUSER and THE SPIRIT OF THE BEEHIVE by Dana Benelli); On A Shocking Sequence in Wenders's KINGS OF THE ROAD (poem by Ken Eisler); Reviews: SLAP SHOT; ANNIE HALL; CROSS OF IRON; THE FRONT PAGE; BOUND FOR GLORY; LE VIEUX FUSIL (aka THE OLD GUN); THE ENFORCER; S. SCOTT FITZGERALD IN HOLLYWOOD.Book review: "The New Wave" by James Monaco.

Contents "...They Take On Their Life..." (an interview with Robert Altman by Richard Jameson and Kathleen Murphy); "You Have To Go Through Hollywood To Get To Your House": WELCOME TO L.A. (review article by Dana Benelli); RUGGLES OF RED GAP: The Social Mythos Of Leo McCarey (review article by Leland A. Poague); Nobody Bids In Olympia (article by Robert C. Cumbow); Reviews: LUMIERE; THE SPY WHO LOVED ME; ONE ON ONE; SORCERER; STAR WARS; IT'S RAINING IN SANTIAGO; Out Of The Past: MONSIEUR VERDOUX.

Contents The Light Is Dark Enough: Film Noir Comedies Of The 1940s (article by James Damico); The Cosmos And Its Discontents (review article on SIGNS OF LIFE and AGUIRRE, WRATH OF GOD by Dana Benelli); The Face Behind The Mask: George Sidney's SCARAMOUCHE (review article by Douglas McVay); The Devil's Parties (article on horror films by Pierre Greenfield); Reviews: EQUUS; DAMNATION ALLEY; A CITY AT CHANDIGARH; JABBERWOCKY; THE LITTLE GIRL WHO LIVES DOWN THE LANE; NEW YORK, NEW YORK; BLACK AND WHITE IN COLOR; SUSPIRIA.

Contents At Home On The Road (two interviews with Wim Wenders by Judith M. Kass); Hawks, Chandler and THE BIG SLEEP (article by Peter Hogue); New York CA 90028 (article on Scorsese's NEW YORK, NEW YORK by James Monaco); Slap Shots (survey of the films of 1977 by Richard T. Jameson, with additional contributions by Robert Cumbow, Ken Eisler, Rick Hermann, Peter Hogue and Kathleen Murphy); Moments Out Of Time 1977 (by Richard T. Jameson); Manners, Morals And Murder: SLEUTH and MURDER ON THE ORIENT EXPRESS (article by Pierre Greenfield); Book Reviews, including a review of "How To Read A Film" by James Monaco); Short Reviews: DERSU UZALA; TELEFON; UNCLE SILAS; LOOKING FOR MR. GOODBAR; FIRST LOVE; A BRIDGE TOO FAR; THE CHOIRBOYS.

Contents "It's Time To Come Inside Now": THREE WOMEN (review article by Robert C. Cumbow); Houses, Phones And Cars: Domestic Spaces In THE RECKLESS MOMENT (review article by Norman Hale); Getting What You Need (article on three films by Luis Bunuel by Julie Ahrens); "Directing Doesn't Start On The Floor" (Claude Gorretta and Isabelle Huppert interviewed by Judith M. Kass); Stop - And Be Friendly: CLOSE ENCOUNTERS OF THE THIRD KIND (review article by Pierre Greenfield); In Black And White (seven books on structuralism and related issues reviewed by Peter Hogue); Reviews; THE BUDDY HOLLY STORY; AN UNMARRIED WOMAN; COMA; CELINE ET JULIE VONT EN BATEAU; THE CHOSEN; THE DRIVER; SATURDAY NIGHT FEVER; STRAIGHT TIME; SHORT EYES; SALO; THE SIN OF HAROLD DIDDLEBOCK; EYES OF LAURA MARS; JULIA; BAHIA; COMMUNION; BOBBY DEERFIELD; ERASERHEAD; THUNDER AND LIGHTNING; OTLEY; THE TURNING POINT; HIGH ANXIETY; CONVOY; COUP POUR COUP.

Contents "A Privilege To Work In Films" (Sam Peckinpah interviewed by members of the Seattle Film Society); THE BALLAD OF CABLE HOGUE (reviewed by Samuel Fuller); Days Of Purgatory: An Attempt To Forget 1978 (review of the year by Richard T. Jameson; also featuring Ten Best Lists from Robert Cumbow, Pierre Greenfield, Rick Hermann and Peter Hogue); Moments Out Of Time, 1978 (by Richard T. Jameson); "I Had To Risk Not Being Liked In That Scene" (Michael Murphy interviewed by Judith M. Kass); In Black And White: "Big Bad Wolves" by Joan Mellen (book review by Pierre Greenfield); Reviews: HALLOWEEN; DAYS OF HEAVEN; AMERICAN HOT WAX; FM; INTERIORS, INVASION OF THE BODY SNATCHERS; WHO'LL STOP THE RAIN?; THE END; HOOPER; LORD OF THE RINGS; BRASS TARGET; COMING HOME; PRETTY BABY; CAPRICORN ONE; KING OF KINGS; DEATH ON THE NILE; THE BOYS FROM BRAZIL; SUPERMAN.

Contents "It Doesn't Take Any Imagination At All To Feel Awed" (Peter Weir interviewed by Judith M. Kass); "Everything Happens At Its Appointed Time": PICNIC AT HANGING ROCK (review article by Pierre Greenfield); Rejoicing In Things Australian (interview with Philip Noyce by Judith M. Kass); Rossellini's STROMBOLI And Ingrid Bergman's Face (review article by Dana Benelli); Telluride '79 (festival report by William H. Wehrbein); Reviews: COMES A HORSEMAN; THE ELECTRIC HORSEMAN; BUTCH AND SUNDANCE: THE EARLY DAYS; CUBA; THE EUROPEANS; MARTIN; DAWN OF THE DEAD; WATERSHIP DOWN; THE 39 STEPS; AGUIRRE, WRATH OF GOD; DEATH ON THE NILE; THE MEDUSA TOUCH; PROPHECY; THE SEDUCTION OF JOE TYNAN; THE MUPPET MOVIE; THE ILLUSTRATED MAN; CHE? (aka WHAT? or DIARY OF FORBIDDEN DREAMS; THE GREAT TRAIN ROBBERY; QUINTET; THE DEER HUNTER; THE IN-LAWS; SAMMIE'S BICYCLE; NORTH DALLAS FORTY; THE DARK; THE CORN IS GREEN; NO TIME FOR BREAKFAST; MOONRAKER; THE CHINA SYNDROME; INVASION OF THE BODY SNATCHERS; FIREPOWER; HARDCORE; BLOODLINE.

Contents Bertolucci's LA LUNA: The Surrealist's Stratagem (review article by Peter Hogue and Marion Bronson); Dossier '79 (survey of the films of 1979 by Richard T. Jameson, with contributions by Robert C. Cumbow, Pierre Greenfield and Peter Hogue); Moments Out Of Time, 1979 (by Richard T. Jameson); Like Dracula: A Tribute To David Thomson (by Robert Horton); Limeys In Lotusland: A Re-appraisal of THE LOVED ONE (review article by Pierre Greenfield); Short Reviews: THE WANDERERS; 10; THE PRIVATE FILES OF J. EDGAR HOOVER; QUADROPHENIA; AMERICAN GIGOLO; YANKS; HOLLYWOOD'S WILD ANGEL; STAR TREK; THE ONION FIELD; THE BLACK MARBLE; ALIEN; THE RUNNER STUMBLES; BENEATH THE VALLEY OF THE ULTRA-VIXENS; TIME AFTER TIME; CUBA; SKIDOO; WHEN TIME RAN OUT; THE SILENT WITNESS; THE LIFE OF BRIAN; THE ROSE; WINDOWS.

Contents "And Then I Just Go Ahead And Write The Dialogue" (article by John Sayles); Going Inside With Alain Tanner (article by Michael Tarantino); "I Don't Like Those Hard Goodbyes": a conversation with an irreplaceable man, Strother Martin; Reviews: L'AMOUR VIOLE; BEST BOY; EN OCH EN (aka ONE PLUS ONE); FRIDAY THE 13TH; PROM NIGHT; DITES-LUI QUE JE L'AIME (aka THIS SWEET SICKNESS); ffOLKES (aka NORTH SEA HIJACK); THE SEA WOLVES; BRONCO BILLY; THE ISLAND; ORDINARY PEOPLE; CAN'T STOP THE MUSIC; THE BLACK STALLION; THE BLUE LAGOON; THE SHINING; MAKING "THE SHINING"; THE HUNTER; TOM HORN; VIOLETTE ET FRANCOIS; THE BIG RED ONE; USED CARS; McVICAR; CARNY; HONEYSUCKLE ROSE; FAME; COAL MINER'S DAUGHTER; MY BODYGUARD; THE PRIVATE AFFAIRS OF BEL AMI; ZULU DAWN; THE CHANGELING; ROUGH CUT; THE GREAT SANTINI.