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FILM QUARTERLY
Quarterly Scholarly Journal from Berkeley, United States


- First issue: 1958
- Articles covering the entire field of film studies.
- "Interviews with innovative film- and video-makers, writers, editors, and cinematographers; readable discussion of issues in contemporary film theory; definitive, thoughtful reviews of international, avante garde, national cinemas, and documentaries".
- Started as "Hollywood Quarterly" (1945-1951).
- Was called "The Quarterly of Film Radio and Television" from 1951 to 1957 (ISSN: 1549-0068).
- Published by University of California Press Journals Division
- Website: www.filmquarterly.org

Last updated:
24 October 2024
(see recent updates)
Special thanks for this page goes to:
Garry Malvern
Pierre Greenfield
Brian Poynton
Scott Matheson
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CONTENTS: 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 All GALLERIES: 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 All

Vol 63 # 2
Winter/December 2009
COLUMNS
Editor's Notebook: Fugitive Faces
Rob White
Marx and Coca-Cola: Allegory Bomb
Joshua Clover
New York Notebook: Going Offbeat
William Johnson
Second Time Around: The H-Man vs. Liquid Human
D.A. Miller
Talking Point: Debating Inglourious Basterds
Ben Walters
Manhattan Notebook: Uneasy Dreams
Paul Julian Smith
Encounter: Interview with Pedro Costa
James Hansen
Telluride Notebook: Hotel Colorado
Damon Young
Bedsit Cinema: The Baader Meinhof Complex
Christina Gerhardt
Nonfictions: Catcalling
Mark Sinker
Reconsideration: Le Plaisir: "La Maison Tellier"
V. F. Perkins
Intertitles: Runaways
Paul Thomas
ARTICLES
Why Do Some Images Begin to Tremble? Cinema Revisits Militant Politics
Nina Power
Warm-Blooded: True Blood and Let the Right One In
J.M. Tyree
A Subtle Story: 35 Shots of Rum
Yvette Biro
Romancing the Father in Claire Denis's 35 Shots of Rum
James S. Williams
BOOK REVIEWS


Vol 63 # 1
Fall/September/October/November 2009
COLUMNS
Editor's Notebook: Against Nature
Rob White
Marx and Coca-Cola: The Future in Labor
Joshua Clover
New York Notebook: Surviving
Danny Birchall
Talking Point: The Avant-Garde Archive Online
Danny Birchall
Reconsideration: Le Plaisir: "The Mask" and "The Model"
V. F. Perkins
Cannes Notebook: A Very Good Year
Colin MacCabe
San Francisco Notebook: Work Aesthetic
Lalitha Gopalan
Intertitles: Listing to Starboard
Paul Thomas
ARTICLES
Rohmer's Salon
Leo Bersani and Ulysse Dutoit
A Handful of World: The Films of Peter Thompson--An Introduction and Interview
Jonathan Rosenbaum
Imamura Revisited
Donald Richie
Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene
Abe Mark Nornes
L.A.'s Hipster Cinema
David E. James
BOOK REVIEWS


Vol 62 # 4
Summer/June/July/August 2009


Vol 62 # 3
Spring/March/April/May 2009

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