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Expanding The Frame On International Cinema.
Quarterly Magazine from Toronto ,Canada

- First issue: 1999
- Published by Cinema Scope Publishing
- Website: www.cinema-scope.com

Last updated:
15 October 2023
(see recent updates)
Special thanks for this page goes to:
Garry Malvern
Scott Matheson

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CONTENTS: 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All GALLERIES: 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

Issue 93
Winter 2022
Editor’s Note


Entre Nous • Alice Diop on Saint Omer

The Asocial Network • Argentine Noir, Borges, and the Labyrinth without a Centre

The Pyramid of Power • Todd Field on Tár

Against Interest • Pierre Clémenti, Filmmaker

In the Bedroom • Bertrand Bonello on Coma

Exhausted • On Juliet Bashore’s Kamikaze Hearts

A Life of Love and Adventure • Laura Citarella on Trenque Lauquen

Alter Egos • On A Woman Escapes

Matters of Fact • Antoine Bourges on Concrete Valley

The Adventures of Gigi the Law • Alessandro Comodin, Italy/France/Belgium

The Eternal Daughter • Joanna Hogg, US/UK

I Have Electric Dreams • Valentina Maurel, Costa Rica/Belgium/France

The Maiden • Graham Foy, Canada

Poet • Darezhan Omirbaev, Kazakhstan

Viking • Stéphane Lafleur, Canada

Lars’ Anatomy • The Kingdom Returns

Godard, Tanner, and Switzerland

La France contre les robots • Straub’s Final Film(s)



WHITE NOISE • Noah Baumbach, US

WOMEN TALKING • Sarah Polley, US

Issue 92
Fall 2022
Take These Broken Wings • Kelly Reichardt on Showing Up

Telling the Truth Can Be Dangerous Business • The Overdue Enshrinement of Elaine May

Can the Centre Hold? • The Films of Adirley Queirós

The Sea Inside • Helena Wittmann on Human Flowers of Flesh

Satan’s Limbo • Alexander Sokurov’s Fairytale

Timely Circumstances • Cyril Schäublin on Unrest

Myths of New England • On Michael Roemer’s Vengeance Is Mine

The Motern Method • The Films of Matt Farley and Charlie Roxburgh

What Is Cinema? • Olivier Assayas on Irma Vep

Finding Fielder • The Rehearsal

Bologna’s Bounty

Peter Brook • Flickers of Life

British Sounds • On The Afterimage Reader

Evidence Visible from a Distance • Tacita Dean on Fata Morgana

AFTERSUN • Charlotte Wells, UK/US

ALCARRÀS • Carla Simón, Spain/Italy

ENYS MEN • Mark Jenkin, UK

UN ÉTÉ COMME ÇA • Dénis Côté, Canada

FIRE OF LOVE • Sara Dosa, US/Canada

NOPE • Jordan Peele, US

Issue 91
Summer 2022
Wippet Good • A Conversation Between Don McKellar and David Cronenberg on Crimes of the Future

Endless Night • Dark Glasses and the Remnants of Dario Argento’s Mad Poetry of Terror

Ordinary Beauty • On Helke Misselwitz

Revelations by Sunlight • Colectivo los ingrávidos’ The Sun Quartet

Send in the Clowns • Qiu Jiongjiong on A New Old Play

Cheesy Movies • On Mystery Science Theater 3000

The Natives Are Restless • Cannes’ Diamond Jubilee and Albert Serra’s Pacifiction

Triangle of Sadness • Ruben Östlund, Sweden/France/UK/Germany/Turkey

Stars at Noon • Claire Denis, France

EO • Jerzy Skolimowski, Poland/Italy

Gross Anatomy • Véréna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica

Will-o’-the-Wisp • João Pedro Rodrigues, Portugal/France

Men • Alex Garland, UK

A Cinema of Care • The Films of Janis Cole and Holly Dale

Living in Intersected Times • Moving Images at the Venice Biennale

In Transit • Jim Jennings (1951-2022)

Lessons in Oppression

HIT THE ROAD • Panah Panahi, Iran

EVERYTHING EVERYWHERE ALL AT ONCE • Daniel Kwan and Daniel Scheinert, US

APOLLO 10½: A SPACE AGE CHILDHOOD • Richard Linklater, US

THE PLAINS • David Easteal, Australia

THE NORTHMAN • Robert Eggers, US

Issue 90
Spring 2022

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