Contents
Journals: Chicago (by Roger Ebert); Teheran (by Brooks Riley and Wendy Keys). Film Editing Special Section: The Work Of The Film Editor (by Win Sharples Jr., Elias Savada, Ruth Lissak and Jay Wentz); Filmographies for Albert Akst, Dede Allen, George J. Amy, Hal Ashby, Bert Bates, Anne Buchens, Reginald Beck, Folmar Blangsted, John Maurice Bloom, Margaret Booth, Claudine Bouche, David Bretherton, Donn Cambern, Jim Clark, Anne V. Coates, Henri Colpi, Anne-Marie Cotret, Denise de Casabianca, Cecile Decugis, Adrienne Fazan, Rudi Fehr, Verna Fields, Hugh S. Fowler, Charles Frend, Antony Gibbs, Stuart Gilmore, Jerry Greenberg, Danford B. Greene, Bernard Gribble, Agnes Guillemot, Jack Harris, Donae Harrison, Anthony Harvey, Gene Havlick, Seth Holt, William Hornbeck, Peter Hunt, Martine Kalfon, Ralph Kemplen, Frederic L. Knudtson, Harold F. Kress, Viola Lawrence, Raymond Lamy, Henri Lanoe, David Lean, Carl Lerner, Renee Lichtig, Russell Lloyd, Warren Low, Daniel Mandell, Owen Marks, Fergus McDonell, Barbara McLean, Reginald Mills, Conrad Nervig, Christian Nyby, Sam O'Steen, Robert Parrish, Tom Priestley, William Reynolds, Ralph Rosenblum, Dorothy Spencer, Frederic Steinkamp, Peter Tanner, Peter Taylor, George Tomasini, John Victor Smith, Ernest Walter, Ferris Webster, Merrill C. White, Elmo Williams, Ralph E. Winters, Robert Wise, Robert Wolfe, William Ziegler; My Best: 24 editors pick their favourite moments or films; Editors and Directors: The Top Ten (a poll of most admired film-makers); "As The Editor, You're The Audience" (Interview with Robert Wise); Film Editors' Forum.Independents: Hints To The Wise (article by Amos Vogel); Television: Family Plot (review article on ROOTS, by Stuart Byron); In Memoriam: Henri Langlois (eight tributes); Second Annual Grosses Gloss (article by Stuart Byron); PROVIDENCE - A Chronic Mystery (review article by James McCourt); Hollywood Hara-Kiri (article by William Paul); Novels Into Movies (article by Brendan Gill); Interview with Robert Aldrich (by Stuart Byron); Atlantic City: Godard's MADE IN U.S.A. (review article by John Hughes).