Issue 91
Summer
Wippet Good • A Conversation Between Don McKellar and David Cronenberg on Crimes of the Future
Endless Night • Dark Glasses and the Remnants of Dario Argento’s Mad Poetry of Terror
Ordinary Beauty • On Helke Misselwitz
Revelations by Sunlight • Colectivo los ingrávidos’ The Sun Quartet
Send in the Clowns • Qiu Jiongjiong on A New Old Play
Cheesy Movies • On Mystery Science Theater 3000
The Natives Are Restless • Cannes’ Diamond Jubilee and Albert Serra’s Pacifiction
Triangle of Sadness • Ruben Östlund, Sweden/France/UK/Germany/Turkey
Stars at Noon • Claire Denis, France
EO • Jerzy Skolimowski, Poland/Italy
Gross Anatomy • Véréna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica
Will-o’-the-Wisp • João Pedro Rodrigues, Portugal/France
Men • Alex Garland, UK
A Cinema of Care • The Films of Janis Cole and Holly Dale
Living in Intersected Times • Moving Images at the Venice Biennale
In Transit • Jim Jennings (1951-2022)
Lessons in Oppression
HIT THE ROAD • Panah Panahi, Iran
EVERYTHING EVERYWHERE ALL AT ONCE • Daniel Kwan and Daniel Scheinert, US
APOLLO 10½: A SPACE AGE CHILDHOOD • Richard Linklater, US
THE PLAINS • David Easteal, Australia
THE NORTHMAN • Robert Eggers, US
Wippet Good • A Conversation Between Don McKellar and David Cronenberg on Crimes of the Future Endless Night • Dark Glasses and the Remnants of Dario Argento’s Mad Poetry...
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Issue 92
Fall
Take These Broken Wings • Kelly Reichardt on Showing Up
Telling the Truth Can Be Dangerous Business • The Overdue Enshrinement of Elaine May
Can the Centre Hold? • The Films of Adirley Queirós
The Sea Inside • Helena Wittmann on Human Flowers of Flesh
Satan’s Limbo • Alexander Sokurov’s Fairytale
Timely Circumstances • Cyril Schäublin on Unrest
Myths of New England • On Michael Roemer’s Vengeance Is Mine
The Motern Method • The Films of Matt Farley and Charlie Roxburgh
What Is Cinema? • Olivier Assayas on Irma Vep
Finding Fielder • The Rehearsal
Bologna’s Bounty
Peter Brook • Flickers of Life
British Sounds • On The Afterimage Reader
Evidence Visible from a Distance • Tacita Dean on Fata Morgana
AFTERSUN • Charlotte Wells, UK/US
ALCARRÀS • Carla Simón, Spain/Italy
ENYS MEN • Mark Jenkin, UK
UN ÉTÉ COMME ÇA • Dénis Côté, Canada
FIRE OF LOVE • Sara Dosa, US/Canada
NOPE • Jordan Peele, US
Take These Broken Wings • Kelly Reichardt on Showing Up Telling the Truth Can Be Dangerous Business • The Overdue Enshrinement of Elaine May Can the Centre Hold? •...
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Issue 93
Winter
Editor’s Note
PHOTO CREDITS
Entre Nous • Alice Diop on Saint Omer
The Asocial Network • Argentine Noir, Borges, and the Labyrinth without a Centre
The Pyramid of Power • Todd Field on Tár
Against Interest • Pierre Clémenti, Filmmaker
In the Bedroom • Bertrand Bonello on Coma
Exhausted • On Juliet Bashore’s Kamikaze Hearts
A Life of Love and Adventure • Laura Citarella on Trenque Lauquen
Alter Egos • On A Woman Escapes
Matters of Fact • Antoine Bourges on Concrete Valley
The Adventures of Gigi the Law • Alessandro Comodin, Italy/France/Belgium
The Eternal Daughter • Joanna Hogg, US/UK
I Have Electric Dreams • Valentina Maurel, Costa Rica/Belgium/France
The Maiden • Graham Foy, Canada
Poet • Darezhan Omirbaev, Kazakhstan
Viking • Stéphane Lafleur, Canada
Lars’ Anatomy • The Kingdom Returns
Godard, Tanner, and Switzerland
La France contre les robots • Straub’s Final Film(s)
ALL THE BEAUTY AND THE BLOODSHED • Laura Poitras, US
ARMAGEDDON TIME • James Gray, US
WHITE NOISE • Noah Baumbach, US
WOMEN TALKING • Sarah Polley, US
Editor’s Note PHOTO CREDITS Entre Nous • Alice Diop on Saint Omer The Asocial Network • Argentine Noir, Borges, and the Labyrinth without a Centre The Pyramid of Power...
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